Richard Quinn Fall 2025 Collection

Richard Quinn Fall 2025 Collection

Richard Quinn transported his audience into a dreamlike London night, blending theatrical grandeur with timeless elegance. Set against a backdrop of Edwardian architecture, the runway was transformed into a snow-covered scene framed by towering Victorian street lamps, celebrating the city’s historic charm.

The concept behind the show captured the anticipation of a woman just before she steps out into the night—whether for a grand ball, an event, or an unforgettable evening. As artificial snow fell from above, models carefully stepped through thick drifts, adorned in dazzling gowns that sparkled like the Milky Way. Quinn played with contrasts, incorporating monochrome palettes alongside striking details like oversized bows, dramatic rosettes, and layered textures in hues of aquamarine, mint, and champagne.

Infusing the collection with a sense of playful sophistication, Quinn drew inspiration from 1960s silhouettes, presenting sleek column gowns and trapeze-cut dresses. Making a standout appearance was Penelope Tree, a fashion icon of the era, who exuded effortless elegance in a shimmering shirt dress paired with black tights and flats—proving that sometimes, minimalism makes the strongest statement.

Known for his signature bold prints, Quinn took a more refined approach this season, opting instead for tuxedo-inspired tailoring in black and white. Instead of traditional smoking jackets, he introduced corseted bell-shaped skirts, draped gowns, and delicate satin bows. The collection also included a nod to bridal fashion, with models wearing sheer tulle veils as they peered through the windows of the grand house set.

Beyond the runway spectacle, Quinn’s business continues to thrive. From his South London atelier, he has built a flourishing demi-couture and bridal empire, catering to high-profile clients with bespoke tailoring and private fittings. His in-house print studio, known for collaborations with major fashion houses, further establishes him as a designer with both artistic vision and entrepreneurial prowess.

Though his shows exude the grandeur of Parisian couture, Quinn remains firmly rooted in London. “I want my shows to feel like they could belong in Paris, but I don’t want to be in Paris,” he explained. “I was born here, I live here, and my goal is to create something truly special in London—something that resonates globally while staying true to my city.”

Sarah Mitchell
Sarah Mitchell
Sarah Mitchell is American Fiamma’s news editor, working across fashion and beauty from US.

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