Zendaya Stars in Louis Vuitton × Murakami Chapter Three as a Modern Riviera Siren
Louis Vuitton has unveiled the final installment of its Louis Vuitton × Murakami collaboration—Chapter Three, starring global ambassador Zendaya in a dazzling Riviera fantasy. Photographed by Inez & Vinoodh, the campaign captures the actress among surreal cherry installations, evoking a cinematic, summer-infused glamour.
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With styling by Law Roach, hair by Ursula Stephen, and makeup by Ernesto Casillas, Zendaya effortlessly channels the playful elegance of the capsule, blending high fashion with whimsical art.
This final chapter presents over 70 designs—including signature handbags like the Speedy, Alma, Capucines, and SideTrunk—each reimagined with Murakami’s smiling cherry motif rendered in 3D. The designs appear on crisp white and classic brown Monogram canvases, showcasing vibrant green stems and glossy, candy-colored finishes through intricate screen printing, 3D printing, and artisanal applications.
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For the first time, the Cherry 3D heel is introduced on two standout shoe styles: the Cherie mule in raffia, adorned with a Monogram bow and sculpted cherries, and the Lily cowboy boot, featuring embroidered cherries. Additional highlights include Monogram denim ballet flats, Maya platform sandals, and BomDia sneakers and mules, all elevated with cherry accents.
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Complementing the leather goods are silk scarves, playful charms, keyrings, and a limited-edition cherry bicycle, further extending the motif’s joyful spirit. The collection embodies Louis Vuitton’s fusion of artistic fantasy and heritage craftsmanship, marking the end of the trilogy that relaunched Murakami’s multicolor Superflat Monogram earlier in 2025.
Launching globally on May 22, Louis Vuitton × Murakami Chapter Three celebrates two decades of creative synergy, closing the series with a fresh and spirited homage to iconic fashion collaboration.
Gucci returned to its roots in Florence with the unveiling of its Cruise 2026 collection, held at the historic Palazzo Settimanni, the very city where the house was founded in 1921. Under the statement “Florence is Gucci, Gucci is Florence,” the luxury Italian label paid tribute to its heritage by reimagining it through a modern lens—blending art, history, and Italian savoir-faire in a rich, theatrical presentation.
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The collection moves seamlessly between refined opulence and understated elegance, offering a dynamic range of silhouettes—from oversized, structured shapes to elongated, fluid lines crafted for both day and evening. Textiles such as brocade, jacquard, velvet, and silk were intricately layered with lace, embroidery, and crystal embellishments, evoking a visual language that fuses Renaissance grandeur with contemporary restraint.
Gucci’s heritage in leather goods was brought to the forefront, with standout accessories like the Gucci Giglio bag, inspired by Florence’s symbolic lily flower, and a vanity-style handbag—both available for purchase immediately following the show, in line with the “see now, buy now” trend in luxury retail.
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In a significant collaboration, Gucci partnered with Pomellato to debut Monili, a fine jewelry collection crafted from gold, leather, and pavé diamonds. Each piece honors the detail-oriented tradition of Italian goldsmithing, fusing classic design with artisanal excellence.
The presentation culminated in a powerful moment as models exited the palazzo into the adjacent piazza, symbolically erasing the boundary between fashion and the city itself. This final gesture captured Gucci’s evolving journey: one that transforms its historic legacy into a forward-looking vision, grounded in the effortless elegance of sprezzatura—that uniquely Italian art of refined nonchalance.
Thom Browne Pre-Fall 2025: Where American Tradition Meets Imaginative Tailoring
In his Pre-Fall 2025 collection, Thom Browne delivers a refined interplay between his signature whimsical universe and a renewed focus on wearable essentials rooted in classic American style. Just days after dressing 21 high-profile guests at the Met Gala, the designer unveiled his latest offering in Milan, showcasing his ability to balance the conceptual with the commercial, and the fantastical with the functional.
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Drawing from the ornithological themes seen in his Fall collection, Browne subtly reintroduces bird-inspired motifs—such as goose embroidery on tailored shorts and pastoral silk prints featured on pleated skirts and button-down blouses. These elements are seamlessly integrated into a lineup of reimagined American archetypes, including cashmere basketball jerseys, gray suede “jean” jackets, utilitarian shirt jackets, and embroidered bombers.
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Both his womenswear and menswear lines—designed in parallel—highlight new tailoring proportions, evident in looks like a khaki Mack coat paired with a long pleated skirt, and a canvas tuxedo with a corduroy collar designed for eveningwear. This approach underscores Browne’s ongoing exploration of formalwear as a platform for storytelling and transformation.
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At the core of the collection is Browne’s long-standing design philosophy: balancing the understandable with the unexpected. Whether through pre-collections, retail presentation, or visual campaigns, the goal is always to present more than just garments—it’s about constructing a world. “I want fashion to be more than clothing most of the time,” Browne noted.
With Pre-Fall 2025, he succeeds in merging narrative-rich design with accessible elegance, reaffirming his role as one of fashion’s most poetic voices working within the frame of American heritage.
Glenn Martens to Make Haute Couture Debut for Maison Margiela at Paris Fashion Week
Glenn Martens is Maison Margiela’s new creative director / Getty Images
Maison Margiela is set to usher in a new chapter this July as Glenn Martens makes his highly anticipated debut as creative director of the house’s Artisanal line during Haute Couture Week in Paris, taking place from July 7 to 10, 2025. The presentation will mark Martens’ first haute couture collection for the iconic French brand, following the critically acclaimed departure of John Galliano, whose Spring 2024 show was hailed as a creative pinnacle in recent fashion history.
Appointed by OTB Group, Martens—who continues to lead Diesel—has been entrusted with carrying forward the Maison’s avant-garde legacy. His experience in couture is not untested: in 2022, he was invited to design a one-off haute couture collection for Jean Paul Gaultier, where he demonstrated bold conceptual vision and craftsmanship.
Martens’ debut will be a highlight in a couture calendar already brimming with major moments: Iris Van Herpen returns with a new annual cadence, Demna presents Balenciaga’s haute couture collection while also stepping in as Gucci’s new creative director, and Giambattista Valli plans a series of special presentations and still-life installations.
Although Martens has yet to reveal details about the collection, he has expressed deep admiration for the house he now leads: “I am truly honored to join Maison Margiela, a house that has inspired generations with its uniquely visionary approach to fashion.”
Jisoo Blends Retro Glamour and Futurism in Self-Portrait’s Pre-Fall 2025 Campaign
K-pop star and Blackpink member Jisoo returns as the face of Self-Portrait in her third campaign for the London-based label, this time embodying a retrofuturistic vision for the Pre-Fall 2025 collection. Captured in Seoul by photographer Drew Vickers, the campaign—titled “Dreams of Past Lives”—places Jisoo in AI-generated dreamlike settings inspired by the bold, colorful spirit of the 1960s.
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The visuals seamlessly blur the line between reality and imagination, nostalgia and innovation. Jisoo wears standout pieces from the collection, including a nylon windbreaker layered over a gingham bandeau and houndstooth skort, a delicate white lace blouse paired with a beaded cream denim skirt, and a crisp white cotton mini dress accessorized with a bow-tied basket bag.
Han Chong, founder and creative director of Self-Portrait, emphasized that AI was not used to replace traditional methods but rather to enhance storytelling: “We’ve always used our campaigns to tell stories, but working with Vickers and this kind of technology allowed us to create new worlds for Jisoo to inhabit. The result is something that feels both familiar and surreal—nostalgic, yet entirely fresh.”
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Chong also reflected on the brand’s ongoing collaboration with the “Earthquake” singer, highlighting her enigmatic quality: “Despite everything she’s accomplished, there’s still a sense of mystery to her—that’s what makes her such a compelling face for the brand. There’s a natural creative rhythm between us, and each campaign feels like a continuation of an ongoing dialogue.”
For Jisoo, the experience is equally meaningful: “Working with Chong and Self-Portrait is always deeply inspiring. I feel completely empowered to be myself, while also having the freedom to explore different sides of my personality and style. There’s a true sense of trust between us, and I believe we’ve created something genuinely new and refreshing with this campaign.”
Schiaparelli and Tom Ford Dress Kylie Jenner and Timothée Chalamet for Their Red Carpet Debut in Rome
At the 70th edition of the David di Donatello Awards, held in Rome, Kylie Jenner and Timothée Chalamet made their highly anticipated official red carpet debut as a couple. The ceremony, one of the most prestigious events in Italian cinema, became the perfect setting for the duo to showcase their fashion sensibility, opting for two iconic luxury houses: Schiaparelli and Tom Ford.
For the occasion, Kylie Jenner — entrepreneur and founder of Kylie Cosmetics and Khy — chose a striking look from Schiaparelli’s Fall 2025 ready-to-wear collection, designed by Daniel Roseberry. First seen during Paris Fashion Week, the gown was crafted from cut black thread and featured the Maison’s signature codes. With delicate thin straps crossing at the back, the design blended sensuality with structure, achieving a balance between artistry and modernity.
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Jenner completed the ensemble with a black velvet clutch adorned with Schiaparelli’s signature gold padlock emblem, along with matching velvet heeled mules. The result was a look that captured contemporary sophistication with surrealist and artisanal undertones — a nod to the collection’s western-inspired reinterpretation.
Timothée Chalamet, who was honored with the David Special award that evening, wore a custom ensemble by Tom Ford by Haider Ackermann. His outfit featured a double-breasted black velvet suit, a pleated black crêpe de Chine shirt, and polished black leather boots. A frozen white gardenia pinned to his lapel added a poetic, cinematic detail to his refined silhouette.
Their red carpet debut garnered international attention, positioning the pair not only as a cultural power couple but also as strong fashion figures. Every styling choice reflected a curated visual narrative — thoughtful, stylish, and culturally resonant — solidifying their influence far beyond the entertainment world.
The 2025 MET Gala established itself as one of the most refined and conceptually cohesive editions in recent memory. With the theme “Superfine: Black-Tie Tailoring” and dress code “Tailored for You,” the red carpet became a showcase where menswear and womenswear met in elevated, precisely styled expressions.
Pharrell Williams, Lewis Hamilton, Colman Domingo, and A$AP Rocky, this year’s co-chairs, embodied the theme with looks that reimagined tailoring from heritage to modern reinvention. A$AP Rocky turned heads in a double-breasted jacket designed by his own label, AWGE—an homage to the Marmot jackets iconic in Harlem and a reflection of his youth and cultural roots.
Zendaya in custom Louis Vuitton
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Inspired by the 1975 film Mahogany, her ivory zoot suit reimagined dandyism with flawless tailoring and a modern edge. Styled by Law Roach, the look stood out as one of the evening’s smartest tributes to Black fashion history.
Jennie (BLACKPINK) in Chanel
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She wore a strapless black leather and satin jumpsuit adorned with pearl cabochon buttons and finished with Chanel’s signature camellia. The standout detail? A playfully split overskirt revealing cropped slim pants beneath.
Hunter Schafer in Prada
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Her black-and-white ensemble featured layered classics—a turtleneck, button-up shirt, crossover jacket, and beret—culminating in a minimal but impactful statement of understated chic.
Gigi Hadid in custom Miu Miu
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Draped in gold velvet with intricate crystal embellishments, her halter gown paid homage to legendary Black women in fashion: Zelda Wynn Valdez and Josephine Baker. A look rich in glamour and historical significance.
Sofia Richie Grainge in Tommy Hilfiger
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Her gown nodded to the timeless white tuxedo with a sleek high-neck front and a bold surprise in the back—an oversized cream bow that added structure and drama.
Rihanna in Marc Jacobs
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A fashion-forward maternity icon, Rihanna debuted her pregnancy in a corseted look that signals a new chapter in avant-garde pregnancy style.
Lana Del Rey in Valentino by Alessandro Michele
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Her darkly romantic look blended velvet, taffeta, and Victorian lace. With sculpted volume and moody elegance, Lana’s presence turned gothic drama into poetic fashion.
Selena Gomez Channels ’70s-Inspired Business Chic at Rare Beauty’s Mental Health Summit
At Rare Beauty’s 4th Annual Mental Health Summit in Los Angeles, held in honor of Mental Health Awareness Month, Selena Gomez brought a polished twist to ’70s-inspired business wear. The brand founder stepped out in a crisp, cream-colored buttoned blazer with casually rolled sleeves, paired with a fitted white blouse and high-waisted, light-wash flared jeans—an effortless nod to retro tailoring. Her look was styled by celebrity fashion consultant Erin Walsh, known for her work with Anne Hathaway and Mindy Kaling.
Getty Images for Rare Beauty
Gomez used the event as a platform to speak candidly about living with bipolar disorder and emphasized the need to expand mental health access, especially in underserved communities. Nearly 200 guests—including educators, content creators, Rare Impact College ambassadors, and mental health advocates—were in attendance.
Jay Shetty, bestselling author and podcast host, led a thoughtful conversation focused on the power of storytelling to foster human connection. Guests also participated in Rare Beauty’s “Send Good Vibes” campaign, writing postcards to remind loved ones they are supported.
Ahead of the event, Gomez told WWD, “When I launched Rare Beauty, I wanted to create a brand with deeper meaning—a welcoming community that could spark positive conversations around self-acceptance and mental health. Seeing that vision come to life through initiatives like our Mental Health Summit makes me incredibly proud of what we’ve built.”
Luxury or Illusion: How The Tariffs War Affects The Power Houses Of Fashion
While exploring my for you page on TikTok, I couldn’t help but notice the increasing amount of videos calling out the secrets Luxury brands have supposedly hidden from us. These being related to the items’ roots and costs, which are not exactly cheap. Granting that this has been going on for a long time, what does it mean for luxury when the illusion is broken?
The political involvement: USA and China tariffs war
All of these chaotic revelations stem from the current events happening between China and the USA. Both of which are involved in what is being called a “Tariffs War”.
Since the current president of the USA took office in January he has been very vocal on his trade plans. While in 2018 Trump actioned this idea with the aim of moving the fabrics of American products back in the USA and re-establish balance between the goods which were being exported to China and the ones being imported from there -the firsts being way higher then the latter- what we are testifying now is not related just to economic sector as it may have been before. The issues regards also the control over the developing high tech companies and the profits made by the countries where these companies are located. In February, alongside Mexico and Canada, the tariffs on China were set up to 10%, but since then they have grown to 125%, reaching almost 145% for specific products. This meaning that an electric car costing 20 000$ could be listed for sale at 49 000$ when imported in the USA (if we were to add the 145% tariff on it).
If Trumps aim is to move back to the USA the production of these goods, not everyone believes this will happen. “Even if it wasn’t China doing the lower end manufacturing it would have been going to other developing countries Vietnam, Bangladesh and many others” says the economist Keyu Jin when asked if this strategy will likely boots US manufacturing and jobs. On the other hand China responded strongly. Already expecting this move by the president they have been diversifying their partners and markets. Given the relevant role of high tech Beijing expanded export restriction of essential minerals for these companies -such as tungsten and tellurium- all happening while the tariffs on USA goods have risen up to 125%.
How it influences the luxury sector:
Chanel SS 2025 Pre Collection / Craig McDean Courtesy of Chanel
Following these political changes Chinese manufactures decided to tell their truths. Exposing where luxury products are actually made has chipped away at the brands’ credibility- revealing to the buyers that similar items can be found elsewhere for a fraction of the price. While the long term problem seems to be the amount of sales these brands are going to be able to make from now on, what could be more damaging is the lack of relatability they now have at people’s eyes. How can we be sure if the label “Made in Italy” actually means created from scratch there or just finalised in the country?
While people are starting to look up the names of “the real” manufactures, those brands who are being called out remain untouched. When luxury no longer means mystery, will we witness the beginning of its end?
Dior FW 2025 Collection / Courtesy of Dior
If the cost of a bag plays a big role in its purchase what the clients aim to acquire is a status, not an item. Exclusivity has a major influence in this situation. Consumers aren’t just drawn to quality, they are drawn to what set them apart. And even when that status is a carefully constructed illusion it still sells, because luxury has always been more about psychology rather than practicality.
Gucci Horsebit 1955 / Courtesy of Gucci
What’s more houses such as Gucci or Hermes don’t rely on the masses to maintain high their retail sales. Their business model answers to a small, elite group of buyers who would not trade fantasies for dupes. Therefore even if imitation increases, it does not affect the core of their market. Sometimes imitation is allowed-while being ignored- in order to reinforce the unreachable status.
Despite the current changes, unless people’s psychology radically shifts, we will still be drawn to what feels anspirational and has an established history behind it.
Whether we are being sold luxury or an illusion it won’t matter until it’s viewed as exclusive.
Emma Roberts Channels 1950s Chic in a Dior Ensemble at the Brooklyn Artists Ball
Emma Roberts joined a roster of A-list stars and high-profile guests at the Brooklyn Artists Ball on Tuesday night. The event, held in collaboration with Dior, featured appearances by Kerry Washington and other prominent figures.
Roberts posed for photos on the red carpet before heading into the Brooklyn Museum for the evening’s festivities. For the occasion, the American Horror Story actress embraced a timeless look that echoed silhouettes and trends from the 1950s.
Emma Roberts at the 2025 Brooklyn Artists Ball / Getty Images for Dior
She wore a matching houndstooth wool jacket and skirt from the iconic French fashion house, designed by Dior’s creative director Maria Grazia Chiuri. The jacket featured subtly puffed short sleeves, sharply angled mini lapels, hip-level pockets, and black front buttons for a refined finish.
Her coordinating skirt came in a high-waisted, fluid design that allowed for ease of movement. She paired the ensemble with pointed black heels and a small black Dior handbag.
Roberts’ glam look was understated yet polished, with bold brows and defined eyeliner enhancing her features. Her makeup was provided by Dior Beauty. Her new “sunrise red” hair was styled in a deep side part, cascading down her shoulders in soft, vintage-inspired curls.
Roberts wasn’t the only attendee wearing Dior that night. Kerry Washington also turned to the runway, opting for a standout look from Dior’s Cruise 2025 collection. Her dress fused gothic romanticism with the sheer trend that continues to dominate red carpets, featuring botanical references and bold gold jewelry by Dior to complete the ensemble.
