Ulla Johnson’s Fall 2025 collection served as a heartfelt tribute to her mother, Jasmina Draskovic-Johnson, who passed away in January. Drawing inspiration from her mother’s artistic work—famous for her paintings adorned with gold leaf—Johnson infused this influence into her latest fashion line. This was reflected in black evening dresses hand-painted with gold, evoking the luminous, textured quality of Jasmina’s artwork.
Courtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla Johnson
The collection stood out for its dark color palette accented with metallic touches, with gold playing a starring role to add brightness and contrast against deep blacks. Materials included gold cloque fabric, adding depth and texture to skirts and coats; tweed interwoven with golden threads, elevating structured jackets; and black tulle adorned with gold lamé polka dots, giving an ethereal, delicate feel to light, sheer dresses.
A major highlight of the collection was Johnson’s collaboration with French artist Julie Hamisky, who specializes in galvanizing flowers to create metal sculptures. This partnership translated into a series of floral-inspired accessories, such as delicate jewelry and poppy-shaped belt buckles, bringing a handcrafted, organic touch to the garments. A memorable piece featured a fuzzy shearling collar accented with one of these floral buckles, blending natural textures with artistic detailing.
Courtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla JohnsonCourtesy Of Ulla Johnson
The silhouettes in the collection ranged from structured to fluid. Johnson showcased long, flowing dresses that draped effortlessly over the body, balanced by tailored pieces with metallic accents that emphasized form and design. Heavier fabrics like tweed and cloque contrasted with lighter materials such as tulle and silk, creating a dialogue between strength and delicacy—a reflection of the designer’s personal narrative.
Accessories played a vital role throughout the collection. Beyond the floral pieces, there were small handbags with metallic details and black leather boots accented with gold touches, adding a modern, refined edge to the ensembles. The show concluded with several evening gowns shimmering in subtle golden hues, a final homage to her mother’s memory and the lasting presence of art in fashion.
This collection not only marked an aesthetic evolution for Ulla Johnson but also served as an intimate expression of her personal story, showing how art and fashion can merge powerfully to tell a tale of love, loss, and inspiration.
Joseph Altuzarra Fall 2025 collection debuted in the historic Woolworth Building in Lower Manhattan, where the designer explored the balance between female strength and vulnerability. The space—completely white, from the walls to the carpet—provided a minimalist backdrop that highlighted the collection’s nuances. As a symbolic touch, each guest received a copy of Emily Brontë’s “Wuthering Heights,” whose tragic, romantic tone inspired the collection’s mood, offering a dark, melancholic prelude to Valentine’s Day.
Courtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of Altuzarra
Altuzarra explained that this season marked a shift toward a more introspective vision, stepping away from his usual thematic inspirations like references to Morocco or Hitchcock heroines. Instead, he focused on a complex, bold woman who uses her personal history as armor. “This collection maps a woman’s loves and losses,” he noted in the show’s press release, emphasizing the fusion of courage and sensitivity that defines his muse.
Courtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of Altuzarra
The collection revolved around the contrast between functionality and sensuality. Impeccably tailored coats and thick fabrics, paired with floor-length skirts and high leather boots, added a practical yet sophisticated air. These utilitarian pieces were interspersed with delicate dresses crafted from silk and sheer chiffon, offering a subtle but undeniable sensuality. Several looks played with proportions, combining oversized outerwear with miniskirts and transparent fabrics, creating an aesthetic that balanced strength with femininity.
One of the show’s standout moments was the navy blue cape-like coat that opened the runway. While it appeared to be a classic cape, Altuzarra introduced an innovative twist by incorporating hidden sleeves, transforming it into a garment that blended drama with practicality. This harmony between aesthetic and function also showed up in the printed chiffon evening gowns, complemented by matching shawls that draped and swirled elegantly over the shoulders. These designs evoked a sense of nostalgia, recalling 1990s red carpet moments, particularly Uma Thurman’s iconic lavender Prada look.
Courtesy of AltuzarraCourtesy of AltuzarraCourtesy of AltuzarraCourtesy of Altuzarra
When it came to the color palette, Altuzarra leaned into classic fall tones: deep blues, charcoal grays, rich burgundy, and elegant blacks, accented with subtle floral prints and delicate metallic touches that added a sophisticated sheen. Accessories played a key role in the collection, with structured handbags and high leather boots tying together both the practical and delicate looks.
A nostalgic, playful element came through in the mini handbags shaped like CK One bottles, a nod to the ‘90s that resonated with attendees, especially those who came of age in that era. Though small, this detail added an emotional connection to the past, perfectly balancing the collection’s contemporary focus.
Altuzarra managed to capture the essence of a strong, defiant femininity, creating a collection that, while inspired by loss and melancholy, feels powerful and modern. His Fall 2025 offering reaffirms his ability to blend functionality with elegance while diving into a more personal, authentic narrative. The collection stands as a testament to how fashion can reflect individuality and authenticity, embracing both the strength and vulnerability of the modern woman.
Minimalism Reimagined: Calvin Klein Fall 2025 Collection
After a six-year hiatus from the runway, Calvin Klein made a triumphant return to New York Fashion Week with a ready-to-wear collection designed by Veronica Leoni. PVH, the brand’s parent company, entrusted Leoni with restoring Calvin Klein’s fashion prestige, building on the recent success of its underwear line, which has made waves with star-powered campaigns featuring figures like Jeremy Allen White.
Courtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin Klein
The collection, which spanned both menswear and womenswear, stood out for its reinterpretation of classic American minimalism, blending structured elegance with a contemporary edge. Leoni drew inspiration from the brand’s iconic aesthetic without falling into direct nostalgia. Instead, she used the archives as a springboard for fresh ideas. “I didn’t want this to be just an archival project,” Leoni explained during a preview, though she admitted Calvin Klein’s influence had shaped her youth in Rome more than she realized.
Courtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin Klein
The show featured impeccable tailoring that played with proportions. From slim suits with tapered trousers to relaxed, pajama-inspired silhouettes, the collection reflected a balance between sharpness and ease. Leoni also experimented with knee-length skirts, evoking references like Eleanor from Severance, but with a subtler, more sophisticated approach.
Sportswear drew from American archetypes: plaid flannel shirts reminiscent of taxi drivers, dark brushed Japanese denim, and sweetheart-neckline red dresses paired with western booties. Eveningwear showcased modern sophistication with gray enamel-sequined dresses and classic draped jerseys, while minaudières shaped like the iconic CK One bottle paid homage to the ‘90s.
However, it was in outerwear that Leoni truly excelled. The brand’s signature double-faced wool coats were reinterpreted with enveloping cuts that looked far more luxurious than the “premium fashion” label might suggest. One standout piece was a cape crafted from strips of organza that draped elegantly off the shoulders, adding a touch of restrained provocation.
Courtesy of Calvin KleinCourtesy of Calvin Klein
Nautical-inspired looks also made an appearance, including an oversized cream anorak paired with a matching beret and a beaded gold dress that clicked and clacked with every step. For menswear, plaid shirts and square-toed boots subtly referenced Raf Simons’ era at Calvin Klein 205W39NYC, while Leoni admitted she enjoyed designing menswear for this collection, “especially because you have to find muses outside of yourself,” she noted.
Courtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin KleinCourtesy of Calvin Klein
The collection combined “monumental minimalism” with a playful touch, capturing the tension between the brand’s past and future. While the execution was strong, some finishes revealed the gap between “premium fashion” and true luxury. With outerwear starting at $1,300, dresses at $950, and jeans at $450, the collection targets an audience seeking quality and design without venturing into the highest tiers of luxury.
With this collection, Veronica Leoni lays the groundwork for a new chapter in Calvin Klein’s history, blending iconic cultural references with a fresh perspective that could propel the brand into a new era of global fashion relevance.
On Thursday, Gucci announced the end of its collaboration with Sabato De Sarno, who had been serving as the brand’s creative director. The upcoming Fall fashion show, scheduled for February 25 in Milan, will be presented by Gucci’s in-house design team, while a new artistic director will be announced in due course.
Getty Images
Gucci’s CEO, Stefano Cantino, expressed his gratitude to De Sarno for his passion and dedication, acknowledging the designer’s commitment to honoring the brand’s craftsmanship and heritage. Francesca Bellettini, Deputy CEO of Kering, praised De Sarno’s loyalty and professionalism, highlighting the foundational work he accomplished, which will serve as the basis for the new artistic direction moving forward.
De Sarno’s departure comes during a challenging period for Gucci, as the brand has faced declining revenues and mixed reviews of its recent collections. In the third quarter, Gucci’s organic sales dropped by 25%, surpassing analysts’ expectations of a 21% decrease. In response, the Italian fashion house is focusing on a renewal strategy, which includes the launch of new handbag lines, essential pieces based on De Sarno’s most successful designs, and optimized distribution and shorter turnaround times.
Marc Jacobs unofficially kicked off New York Fashion Week with his Spring 2025 collection, presented at the New York Public Library. Titled “Courage,” the show was accompanied by a manifesto placed on each seat, in which the designer reflected on fear—not as an obstacle, but as an essential force driving creativity, authenticity, and artistic expression.
Courtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc Jacobs
His signature approach to exaggerated proportions and visual drama was evident in pieces that transformed the ordinary into the extraordinary. Jacobs reinterpreted classic garments with an unexpected twist: corduroy trousers inspired by 18th-century silhouettes, oversized padded trench coats, and sculptural pencil skirts in British heritage checks. His iconic quilted tailoring also played a prominent role in the collection.
Courtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc Jacobs
The show emphasized the idea that personal style transcends trends, with designs that evoked a sense of fantasy: oversized nightgowns with fairytale-like allure, chenille sweaters paired with bubble leather miniskirts, and sculptural dresses adorned with giant sequins and rich, velvety hues. While certain elements echoed the work of Comme des Garçons, Jacobs infused each piece with his unmistakable signature.
Courtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc JacobsCourtesy of Marc Jacobs
Accessories played a key role in the visual narrative: surreal pointed-toe shoes and unfinished leather handbags added a playful and theatrical dimension. Among the many references the collection evoked, attendees found hints of Betty Boop, the Queen of Hearts, and Marie Antoinette, showcasing how each viewer could interpret Jacobs’ vision in their own way.
With this collection, the designer reaffirms his position as a master of spectacle and fashion innovation, pushing boundaries with uninhibited creativity. More than just garments, Jacobs presented a bold statement on creative freedom, further solidifying his status as one of the industry’s most influential visionaries.
Kim Jones Bids Farewell to Dior After Seven Years Redefining Men’s Fashion
After seven years leading Dior’s menswear collections, Kim Jones is stepping down as artistic director. The French fashion house expressed its gratitude, highlighting his role in expanding the global influence of Dior’s menswear line and his ability to merge classic tailoring with contemporary aesthetics through innovative artistic collaborations.
Dior’s Kim Jones Awarded Legion of Honor: Inside the Ceremony
The announcement comes just a week after Jones unveiled Dior’s Fall 2025 menswear collection in a minimalist setting of grand white staircases and was honored with the Legion of Honor, France’s highest civilian distinction. Dior has yet to name his successor, though speculation points to Jonathan Anderson, the current creative director of Loewe, as a strong contender for the role.
Jones, who previously led Louis Vuitton’s menswear division and recently stepped down from his position at Fendi, has established himself as one of the most influential designers in the industry. His vision—blending luxury, functionality, and cultural references—has left a lasting impact on Dior. Now, the house must chart a new course for its menswear line in this next chapter.
On January 29, Ludovic de Saint Sernin unveiled his bold and sensual vision for Jean Paul Gaultier’s Spring 2025 Couture collection, presenting a runway that not only paid tribute to the brand’s maritime DNA but reinvented it into a visual narrative filled with emotion, sensuality, and theatricality. Drawing inspiration from the French word naufrage (shipwreck), the collection unfolded as a journey into the unknown, populated with sailors and muses navigating a sea of passions and adventures.
Photo by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty Images
From the start, the atmosphere of the show captivated with its unsettling energy. On the darkened runway of Jean Paul Gaultier’s iconic Parisian headquarters, models paraded with an unmistakable sense of confidence and sensuality, wearing garments that oozed luxury and desire. Corsets with tight lacing and form-fitting dresses that showcased a combination of skin and tulle created the illusion of castaways emerging from the depths of the ocean. One of the standout pieces was a tulle dress adorned with 50,000 brass pearls, glowing like the light of a distant moon—representing both the fragility and beauty of a shipwreck.
Photo by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty Images
Ludovic de Saint Sernin was the latest guest designer to reinterpret Jean Paul Gaultier’s Couture line, following in the footsteps of Simone Rocha and Julien Dossena. Throughout the show, the brand’s maritime inspiration was reimagined as a canvas for experimentation and innovation. Saint Sernin brought to life the figures of sailors, sirens, and pirates in a way that seamlessly blended the classic with the contemporary, not only reflecting Gaultier’s essence but also offering his own fresh, provocative perspective.
One of the most memorable moments of the collection was the tribute to Gaultier’s iconic 1997 design, where a model wore a boat on her head. Saint Sernin revived that piece as part of his own narrative, describing it as a visual journey of love, chaos, and discovery. In his version, the muses and sailors embark on an adventure filled with passions and entanglements, only to lose control of the ship and be cast ashore. On the runway, this narrative became a powerful visual metaphor, expressed in every piece that graced the catwalk.
Photo by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty Images
Saint Sernin incorporated very specific details to emphasize the connection between the human body and the sea. The dresses, with their seductive and body-hugging shapes, seemed to glide across the runway like ocean waves, while the movement of the pleated chiffon fabric evoked the sensation of waves crashing against rocks. The use of innovative materials, such as specially treated feathers that appeared wet and latex prints mimicking crocodile skin, added a striking visual dimension.
Some of the most notable looks included a burgundy mermaid skirt paired with a top made from brass wire, spelling out naufrage in cursive, taking the idea of shipwreck to a symbolic level. References to popular culture and archival fashion were also present, such as a nod to the iconic black-and-white photograph of Cindy Crawford by Herb Ritts, in which the supermodel was draped in a towel. Saint Sernin used this image as a metaphor for sensuality and vulnerability, elements that were reflected in his designs.
Each piece in the collection told its own story, not only through the fabrics and cuts but also in the narrative construction. Saint Sernin revealed that every look was part of a visual script, where characters and plots developed as the muses walked the runway. This was reflected in the dramatic silhouettes and elaborate embellishments, such as the use of metallic eyelets resembling anchors, and designs where the cuts and embroidery seemed to tell the tale of a journey through human emotions, love, and loss.
Photo by Giovanni Giannoni/WWD via Getty ImagesPhoto by Giovanni Giannoni/WWD via Getty Images
The front row was left speechless by the boldness and sensuality of the looks. The dresses and corsets stood out with their surprising structures and meticulous detailing, creating a fascinating contrast with the artisanal techniques Saint Sernin mastered. With his debut for Gaultier, the designer not only presented a Couture collection but also offered a new perspective on the art of storytelling through fashion.
With this collection, Ludovic de Saint Sernin made it clear that, under his eye, Haute Couture is not just about creating clothing, but about crafting a narrative universe where each piece plays its part in a story of emotions, power, and beauty.
Alessandro Michele made his highly anticipated debut in Valentino’s haute couture with a collection that merged the house’s rich history with his own maximalist and dreamlike approach. Titled Vertigineux, the presentation unfolded as a tapestry of cultural references, masterful craftsmanship, and theatricality—an ode to past grandeur, reimagined through a contemporary lens.
From the very first moment, the show felt like a deep dive into Michele’s creative mind. Each guest found an extensive dossier on their seat, filled with notes detailing the flood of inspirations behind every piece. At the back of the runway, glowing red digital letters projected a “river” of references: medieval nuns, Marie Antoinette, Venetian carnivals, silent film stars, and the lavish court fashion of the Georgian era. Filtered through Michele’s vision, these historical elements took shape in garments that challenged traditional haute couture aesthetics.
Valentino’s legendary craftsmanship reached new heights with this collection. Each design appeared as a work of art, built upon layers of history and executed with impeccable precision. The silhouettes, at times exaggerated and theatrical, paid homage to past eras while maintaining a modern fluidity.
Crinoline gowns with harlequin-patterned tulle evoked a sense of carnival fantasy, while pannier skirts and tightly fitted bodices recalled the structured elegance of the 18th century. Billowing ruffles, voluminous sleeves, and oversized bows echoed Victorian romanticism but with a contemporary twist.
Michele revived Valentino’s signature techniques, from micro-pleated trumpet sleeves and intricate lattice embroidery adorned with gemstones to delicate floral prints inspired by 19th-century chintz textiles. Structured, almost architectural details created a striking contrast against the lightness of chiffon, lace, and organza.
One of the most striking moments came with a dark taffeta gown featuring a black velvet bodice—seemingly simple, yet requiring 860 hours of meticulous handwork. On the opposite end of the spectrum, Valentino’s iconic red made a powerful statement in a voluminous, ruffled gown, a direct nod to the house’s founder, Valentino Garavani.
The show was not just about showcasing a collection; it was designed to induce a sense of vertigo, an overwhelming sensory experience. From the seating arrangement—where fashion editors were placed in the fifth row, behind couture clients and celebrities—to the atmospheric soundscape, every element was carefully curated to immerse the audience in Vertigineux.
The soundtrack, a fusion of Oxford Camerata’s chamber choir and the ethereal electronic compositions of Alva Noto, added a mystical aura to the event. And in a dramatic finale, Michele sent his models striding through bursts of wind and flashing strobe lights as Prokofiev’s Dance of the Knights echoed through the venue. With each commanding step, the monumental silhouettes took on a cinematic presence, as if they were heroines from a gothic novel.
Michele made it clear that his vision for haute couture goes beyond the mere creation of garments—it is a reflection on fashion in an era dominated by digital immediacy. “Today, everything is about scrolling, consuming images in seconds. But haute couture is not that. It demands time, presence, and emotion,” the designer explained.
At a moment when the industry leans towards minimalism and practicality, Michele embraces opulence and storytelling. His Valentino is not just about wearing fashion—it is about experiencing it. With Vertigineux, the designer does more than reinterpret the house’s legacy; he lays the foundation for a new era of haute couture, where opulence, art, and history intertwine through the lens of the 21st century.
In the majestic Palais de Tokyo, Elie Saab transported his audience to a world of ethereal luxury with his latest haute couture collection. Set against the soothing sounds of flowing streams and birdsong, the runway became a dreamlike stage where the designer’s signature opulence took on a new dimension. This season, Saab merged his mastery of embroidery and vision of femininity with a more defined, almost architectural structure. Inspired by the elegance of Art Deco, he played with sculptural volumes at the shoulders and hips, striking a balance between drama and sophistication.
Elie SaabElie SaabElie SaabElie SaabElie SaabElie Saab
Models walked through a runway framed by classic white arches, wearing dazzling creations adorned with intricate beading and delicate embroidered feathers, evoking the beauty of nature. The collection felt like a journey into the glamour of the 1920s, with cinematic references to Gatsby-era decadence, reinterpreted through Saab’s refined modern lens. His ability to sculpt the silhouette was evident in every look, where flowing fabrics and structured cuts harmonized effortlessly. From romantic organza gowns in soft pastels to unexpected deep blue denim evening dresses with visible yellow topstitching, the designer surprised with a collection that blended sophistication and fantasy.
Elie SaabElie SaabElie SaabElie SaabElie SaabElie Saab
In contrast, Franck Sorbier took haute couture to a more conceptual and artistic level with his collection Sinfonía Bárbara, a reflection on the duality between war and peace. As is customary in his work, the French designer combined fashion, music, and dance in a presentation where visual storytelling played a central role. The show opened with figures dressed in dark, dramatic attire, accompanied by a striking musical score, before transitioning to a scene where the “warriors of peace” emerged in trapeze-cut dresses adorned with sequins and fringe in subdued tones like navy and gray.
Elie SaabElie SaabElie SaabElie SaabElie SaabElie Saab
The climax of the collection came with the representation of peace, symbolized by neoclassical-inspired gowns crafted in chiffon and satin, in a palette of soft and ethereal hues. To close the show, soprano Catherine Trottman and a ballerina from the Paris Opera added a poetic and emotional dimension to the presentation. As a final gesture, young girls distributed olive branches to the guests, a powerful symbol of harmony and reconciliation.
While Saab reaffirmed his status as the master of glamour and femininity through his grandiose interpretation of haute couture, Sorbier explored fashion as a medium for artistic and social expression. Two distinct approaches, both equally compelling, proving that haute couture has the power to move, inspire, and tell stories that go far beyond craftsmanship.
Armani Privé Spring 2025: Two Decades of Haute Couture
To celebrate 20 years of his haute couture line, Giorgio Armani stepped onto the runway, arm in arm with a model, offering warm smiles and heartfelt waves to his audience. At 90, the designer’s choice to personally acknowledge his guests in such an emotional setting was a poignant expression of gratitude for those who have stood by him throughout his couture journey.
Courtesy Of Giorgio Armani
This season’s collection, aptly titled Lumières, was a poetic homage to light—its reflections, movements, and the way it enhances fabric. Armani envisioned a sophisticated, well-traveled woman, whose wardrobe reflects the essence of the places she’s explored. The structured elegance of Japan, the richness of India, the artistry of North Africa, and the soft watercolor shades of Polynesian landscapes all came together with an airy, almost imperceptible grace—like fleeting strokes of light across a canvas.
Courtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio Armani
As expected from the house, embellishments played a central role. Tailored cropped jackets, ethereal gowns, structured coats, and evening clutches gleamed with crystal accents in deep blue, bronze, and amaranth hues. Fluidity defined the trousers, a quintessential Armani element, while backless gowns, strapless silhouettes, and exquisitely embroidered skirts and vests elevated the collection’s refinement. Completing the vision, sequined headpieces sat atop sleek, fan-shaped hairstyles, subtly enhancing the muted lavender-gray eye makeup.
Courtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio Armani
For Armani, haute couture is an arena for artistic exploration—a space where he steps beyond his signature minimalism to embrace a more experimental and expressive aesthetic. Unlike his debut Privé collection, where bias-cut simplicity sharply contrasted the grandeur of Parisian couture, this season was a radiant tribute to texture, embellishment, and movement. Across 93 looks, satin finishes, embroidered mesh layers, and sinuous sequin patterns played with the illusion of light.
Courtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio Armani
Yet, despite this heightened opulence, Armani stayed true to his identity: the master of effortless sophistication and the pioneer of the chic, understated trouser suit. This season, pants took on fresh interpretations—high-waisted and pleated, gently ballooned, cinched at the ankles, or paired with flowing tunics and sheer dusters. Some looks were styled with pagoda-sleeved cropped jackets, while others featured lightweight vests, all exuding an air of refined ease.
Courtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio Armani
As light transcends time and space, Armani translated its fleeting beauty into fabric, shaping a wardrobe for the contemporary woman—one who carries the essence of her travels with her, wearing each memory as a luminous echo of her journey.
Courtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio ArmaniCourtesy Of Giorgio Armani
