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Marc Jacobs Fall 2025 Collection

Sarah Mitchell
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Marc Jacobs Fall 2025 Collection

Marc Jacobs Fall 2025 Collection

Marc Jacobs transported guests into his dollhouse filled with dreamy Victorian beauties. The fashion crowd returned to the New York Public Library on Monday evening, ahead of the July 4 holiday weekend, to delight in Marc Jacobs’ latest collection of dreamy Victorian beauties.

Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs

As usual, Jacobs’ show notes set the scene for the five-minute fall collection presentation of 19 concise looks, each striking, to the soft melody of “Song for Jesse” by Nick Cave and Warren Ellis. “Beauty,” the notes read. “A quality or combination of qualities that pleases the mind or senses and is often associated with properties such as harmony of form or color, proportion, and authenticity.”

Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs

Reflected in the fall collection—a fabulous continuation of bigger, twisted, doll-like versions of the familiar: a vocabulary he’s been developing boldly in recent years. Jacobs leaned into Victorian shapes blended with a grunge edge, seen in a model’s huge lilac lace blouse paired with extra-large, slouchy cargo pants tied with a giant bow in the back.

Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs

There were bows everywhere, on the backs of almost every look—including stunning sculptural lace dresses in lovely pastel or dark, vampy shades—and on wide-leg trousers, fitted or body-hugging; in the models’ hair; or twisted around a pale pink, layered slip dress that billowed off the body with precision.

Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs
Courtesy Of Marc Jacobs

Jacobs continued his story with tiny floral prints and pastel lace, transforming them into exaggerated Victorian doll silhouettes, some cut closer to the body than in previous seasons before exploding into puffed shoulders and hemlines. Her sculptural blouses were a hit: a wavy floral version worn by Alex Consani; a rounded polka-dot version on model Wali Deutsch; and a sweet yet strong white lace style on Sascha Rajasalu. But truly, all 19 looks were equally impactful. Once again, through fashion, Jacobs transported his guests into a dreamy escape, a fairytale beauty.

Jacquemus Fall 2025 Collection

Sarah Mitchell
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Jacquemus Fall 2025 Collection

Jacquemus Fall 2025 Collection

Born into a farming family, the designer incorporated aprons, petticoats, fichu collars, trousers, and kerchiefs into his fashion universe.

His mood board was dominated by images of people working in fields or selling their harvests by the roadside.

Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus

The show was more autobiographical than usual, true to the designer’s drive for self-betterment and his growing interest in haute couture techniques, but also emotionally charged in the way he wove aprons, petticoats, fichu collars, trousers, and kerchiefs into his fashion vocabulary. He titled the collection “Le Paysan” (The Peasant).

Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus

Famous for staging evocative shows among lavender fields, salt flats, or stately homes, Jacquemus returned to the Palace of Versailles, this time in its Orangerie, preserved in a raw, cavernous state, with a single row of wooden chairs offering views of the potted trees outside through open windows. He opened the show with a small blond girl running across the runway to open a tall door so models could enter from the gardens—a childhood dream come true.

Courtesy of Jacquemus
Courtesy of Jacquemus
Courtesy of Jacquemus

On the catwalk, his countryside-to-runway narrative came alive through an abundance of sack dresses and smock blouses, some dramatically oversized, and wide, sweeping skirts worn like aprons, with fabric piled into dense pleats at the front. He also presented simpler slip dresses with the same apron-like effect, pared down beautifully in cream and black.

Courtesy of Jacquemus

He worked plain fabrics like cotton poplin and linen into striking geometric volumes—some tiered dresses evoked Christmas trees—and a leather jacket was shaped like a calisson, the French confection made from almonds and candied fruit. He didn’t entirely abandon the summer sensuality that has made the brand so beloved. There were sheer chiffon dresses with batwing sleeves and embroidered tulle halterneck styles that draped fluidly over the body.

Rick Owens Opens an OnlyFans Account Dedicated to His Feet

Sarah Mitchell
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Rick Owens Opens an OnlyFans Account Dedicated to His Feet

Rick Owens Opens an OnlyFans Account Dedicated to His Feet

“I thought it was an interesting way to approach aging,” said the designer, noting that he was inspired by an 18th-century aristocrat who “reduced her life to photographing her feet.”

As he himself admitted, Rick Owens said, “I will keep transgressing until the day I die, because that is my protest,” he declared to WWD. “It’s a response to the moralism and prudish judgment I see in the world. It’s my way of saying, ‘Relax, don’t take everything so seriously.’ A bit of perverse fun is chic.”

The designer made this statement during an interview about his retrospective exhibition, which opened Thursday at the Palais Galliera fashion museum in Paris.

He also casually mentioned that he would be launching an OnlyFans account dedicated to his feet.

He said he was inspired by the Countess of Castiglione, an 18th-century Italian aristocrat who commissioned hundreds of photos of herself until her later years, when she locked herself away in an apartment without mirrors and “reduced her life to photographing her feet.”

“I thought it was an interesting way to approach aging,” Owens said about the countess, who, incidentally, was the subject of an exhibition at the Metropolitan Museum of Art in 2000, which included a terracotta cast of her photogenic limbs.

The 63-year-old designer admitted that some of his colleagues were concerned about him joining OnlyFans, since most of the platform’s content is adult-oriented.

His response?

“I started my career with a photo of me peeing into my own mouth,” he said matter-of-factly, referring to a 2002 photomontage included in the exhibition catalog, along with other images not safe for work. “I mean, this is the most innocent thing I’ve done in my life.”

Ami Paris Spring 2026 Collection

Sarah Mitchell
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Ami Paris Spring 2026 Collection

Ami Paris Spring 2026 Collection

Raindrops added an extra dose of reality to Alexandre Mattiussi’s effortlessly layered Parisian silhouettes. While many French brands gravitate toward iconic monuments—staging runway shows beneath the Eiffel Tower, inside the imposing dome of the Grand Palais, or right at the Louvre—Mattiussi is more of a neighborhood man.

Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris

That’s why he chose Place des Victoires, just steps from Ami’s headquarters and not far from his flagship in the bustling Marais district (rather than the posh Avenue Montaigne), for his spring show.

“For me, this is one of the most beautiful squares in Paris, and I wanted to celebrate that we’re now a company,” Mattiussi said excitedly at the preview. “We’re a house with lots of people, so I invited all my collaborators to see the show. This is my neighborhood. I know everyone. I wave to everyone from my window.”

On Wednesday evening, models circled the bronze statue of King Louis XIV atop a rearing horse—making one wish people in the neighborhood always looked this good.

Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris

Unexpected and pleasing color combinations have been a recurring theme in this season’s menswear, and Mattiussi excelled here. He mostly worked with classic shades, adding some unconventional greens and yellows, but layered them in a way that conveyed a certain Parisian je ne sais quoi.

The ‘70s spirit running through this season was also present in pointed collars, suede overshirts, tailored coats, and A-line skirts. Generous shapes were a dominant feature—sometimes overly so—with roomy shirtdresses, boxy blazers, and wide bermuda shorts made from familiar fabrics like cotton poplin, linen, and denim.

Courtesy of Ami Paris
Courtesy of Ami Paris
Courtesy of Ami Paris

Storm clouds threatened, but Mattiussi’s mixed-gender cast stayed composed. Those whose outfits included sheer windbreakers casually shrugged them back on as the raindrops began to fall.

The bad weather only reinforced the designer’s belief that his brand reflects real life.

“This isn’t like a fashion show—the reality in-store is different,” he said. “Everything we show here is real. Everything we show here is going to be sold.”

Prada Men’s Spring 2026 Collection

Sarah Mitchell
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Prada Men’s Spring 2026 Collection

Prada Men’s Spring 2026 Collection

“The opposite of aggression, power, and the evil dominating the world today,” said Miuccia Prada about the collection after the show. Miuccia Prada and Raf Simons evoked a utopian scene: a field of fluffy carpets shaped like flowers scattered across the vast concrete floor of Fondazione Prada, with natural light filtering through the space, accompanied by birdsong and the sound of cowbells over the speakers.

Courtesy Of Prada
Courtesy Of Prada
Courtesy Of Prada

Their Spring collection reflected the spirit of Rineke Dijkstra’s striking 1993 portrait of a teenager on a beach in Odessa, Ukraine, wearing a slightly oversized burgundy swimsuit: an image of vulnerability, yet also of dignity and pride.

“We wanted a change of tone,” Prada told a group of journalists after the show. “The opposite of aggression, power, and the evil that dominates the world today. So we tried to bring something genuine and pleasant.” “Something reassuring, positive, and balanced,” Simons added while sipping a small glass of Coca-Cola. “Freedom to express yourself however you want.”

Courtesy Of Prada
Courtesy Of Prada
Courtesy Of Prada

Prada and Simons opened the presentation with a crisp white camp-collar shirt partially tucked into bloomer-style pants, reminiscent of Dijkstra’s swimmer’s saggy briefs, looking like those paper doll clothes fastened with flimsy tabs.

The designers went on to mix, in a seemingly spontaneous way, many of Prada’s familiar staples: ultra-light raincoats, wide-leg trousers, retro tracksuits, leather coats, and shrunken sweaters.

Courtesy Of Prada
Courtesy Of Prada

New proposals included boat-neck sweaters and robes, along with military-style shirts elongated to tunic lengths. Pants were optional for at least a third of the looks.

Straw hats and black dress socks paired with almost everything—mismatched with loafers and two-tone deck shoes—further complicated the styling.

MM6 Maison Margiela Resort 2026 Collection

Sarah Mitchell
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MM6 Maison Margiela Resort 2026 Collection

MM6 Maison Margiela Resort 2026 Collection

The very notion of the “right way” to wear a garment was the central concept developed by the brand’s design studio this season. Good clothes are like classic books: solid references you return to time and time again. At MM6 Maison Margiela, this idea materialized in a library card print, where the borrow stamps matched the dates of the brand’s runway shows.

Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela

Although the design team enjoys offering cleverly revisited wardrobe staples, it’s the plot twists brought by the wearer that intrigue them more than ever. This led to dual-use or multi-purpose designs, conveying the idea that your way is the right way to wear something.

Among the standout pieces were a double-layered A-line skirt that could transform into a cocktail-ready dress by pulling the top layer up to the bust; a slip dress that could be worn as a top by adjusting extra built-in straps at the hem; and garments with integrated opera gloves. These gloves could be worn as belts, but when used traditionally, they transformed the outfit into something more dramatic.

As for menswear, MM6 continued to explore masculine archetypes with a softer, more sensual approach compared to last season’s “Pitti Uomo villains,” thanks to lightweight summer fabrics and relaxed details like rolled-up sleeves.

Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela

Visiting the showroom in person revealed the ingenious details that make a trip to MM6’s collections a true delight: gold braids printed along the neckline of a sweater, invisible buttons allowing a double-pointed shirt to be worn two ways, or shirt-weight denim with a suede-flocked finish cut into boxy shirts and straight-leg jeans, designed to age beautifully with wear and washing.

Accessories—particularly the footwear—did not disappoint. Highlights included a take on the trending “ballet sneaker,” offered for both men and women; sleek leather slip-on sneakers for men; and a new iteration of the brand’s popular Japanese bag, now featuring a removable metal handle for added versatility.

Courtesy of MM6 Maison Margiela
Courtesy of MM6 Maison Margiela

With Resort 2026, MM6 Maison Margiela proves once again that true fashion lies not only in design but in the dialogue between garment and wearer—a sophisticated proposition for women seeking originality, versatility, and pieces that evolve with their personal style.

Thom Browne Resort 2026 Collection

Sarah Mitchell
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Thom Browne Resort 2026 Collection

Thom Browne Resort 2026 Collection

Thom Browne once again emphasized American sportswear through his signature tailoring while celebrating the 10th anniversary of his iconic Hector dog-shaped bag.

Resort 2026 marked a celebratory milestone for Thom Browne: the 10th anniversary of his Hector bag, the canine-shaped accessory Browne introduced in 2016 as an homage to his beloved dachshund of the same name.

Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne

Browne noted that while the original creation of the bag was “kind of a joke” ten years ago, it has since become a novelty and an icon of the brand, sought after season after season. “It’s so personal, it’s fun to experiment with it,” he added.

His Hector creations were a focal point of the collection in handbags, alongside his chic interchangeable Bermuda bags. “Some people don’t know this, but the best thing about this Bermuda bag is that you can invest in it once. Each season, there are covers you can buy to use with that single handle. It’s a simple way to have a ‘new’ bag each season,” he explained.

And while Browne’s dog also appeared in this season’s charming embroideries titled A Day in the Life of Hector, as well as in watercolor prints and toile de Jouy motifs, the overarching message of Browne’s excellent resort collection for both men and women stemmed from once again emphasizing American preppy tailoring — a signature of Browne’s that continues to draw loyal customers.

Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne
Courtesy of Thom Browne

As seen in his most recent pre-collections, his designs offered a youthful, layered spirit that never sacrificed his unmistakable tailoring expertise. For example, corset tops cut in the style of vintage swimsuits (cropped at the waist) paid tribute to the bathing suits Browne remembered girls wearing in his youth. These were crafted in gray suiting fabric with gold tennis embroideries, silk mogador embedded into tweeds, or with silver anchor embroidery — a sweet, subtle nod to Hector’s tin anniversary.

Browne noted that corsets have become increasingly important in his stores, highlighting that he often works with tailoring far beyond his fantastical couture looks or custom ensembles for events like the Met Gala. Maintaining this balance between customer desires and his mix of sportswear and tailoring was key for the resort collection — visible, for instance, in khaki jackets paired with sporty dresses or cricket sweaters layered over tweed tailoring.

The concept extended seamlessly into the menswear offering with technical ripstop jackets, puffer coats, essential sneakers, and three standout Japanese denim styles: a jeans-and-jacket combo with a white cashmere seersucker finish; a pleated skirt paired with a denim jacket; and even a varsity jacket adorned with collection motifs styled like the World of Thom Browne crest.

Ferrari Resort 2026 Collection

Sarah Mitchell
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Ferrari Resort 2026 Collection

Ferrari Resort 2026 Collection

The convergence of engineers, factory workers, and VIP clients at the beating heart of the company inspired Rocco Iannone’s designs and fabric experimentation for Ferrari’s latest resort collection.

At haute couture houses, workshops and petites mains are considered their most precious assets. For an automotive company that only four years ago embarked on the ambitious journey of competing with luxury fashion brands, the absence of these traditional fashion resources contributed to the initial skepticism of the fashion elite. It didn’t matter that the newcomer was none other than Ferrari—a brand that’s built on handling complexity and delivering results at high speed.

Courtesy of Ferrari
Courtesy of Ferrari
Courtesy of Ferrari

But why compete with fashion ateliers when you’re the only one in the industry who can claim to have an officina? The workshop is Ferrari’s true engine room, where the dreams of ambitious youth and the demands of discerning buyers of fast, elegant cars are brought to life.

“This is our chosen place, where things are made and creativity becomes tangible,” said creative director Rocco Iannone. Instead of filling his mood board with cinematic muses, music icons, or fashion references, Iannone relied on archival images of Ferrari’s workshop over the decades. These photos, showing engineers, workers, VIP clients, and elegantly dressed women in furs, offered a snapshot of “our most precious heritage: our community.”

Courtesy of Ferrari

This spirit inspired the wardrobe Iannone designed for the season, reflecting Ferrari’s ongoing pursuit of excellence and craftsmanship—especially through fabric innovation.

The collection revolved around a hybrid of tailoring and workwear, featuring zippered jackets and blousons crafted from coated canvas with an oily finish, acid-washed denim, and cold-dyed nylon that gave a painterly effect to effortlessly chic pieces. Iannone pursued the same artisanal vibe with abstract prints and layered knitwear, seen in double-knit crewnecks and marbled-effect dresses.

Ferrari’s proprietary Q-cycle material, derived from recycled tires, inspired some of the knitwear and tailoring, while recycled leather—reclaimed from car seats—was transformed into small leather goods and decorative elements on garments.

But leather was the undeniable star of the show. Whether grainy, talc-finished, or with a worn-in look, supple nappa leather was folded like origami for sharp cropped jackets, draped into skirts, or sculpted into mini dresses embroidered with Ferrari’s recurring 7×7 check motif, echoing the look of racing jumpsuits.

With Resort 2026, Ferrari continues to build its own lane in luxury fashion, driven by technical mastery, sustainability, and a unique Italian flair rooted in its unmistakable automotive DNA.

Blumarine Resort 2026 Collection

Sarah Mitchell
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Blumarine Resort 2026 Collection

Blumarine Resort 2026 Collection

For Resort 2026, David Koma continues to redefine the Blumarine universe with a collection that balances sensuality and sophistication—designed for women who effortlessly move between work and leisure. Inspired by the Italian lifestyle, Koma envisions a fluid wardrobe for those who can turn a workday into a seaside getaway with ease.

Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine

This season, the Blumarine woman is confident and seductive, blending essentials with glamorous accents: crisp poplin shirts and structured halter tops meet body-hugging knit dresses, delicate sheers, and lingerie-inspired lace details. The cinematic, slightly mysterious mood of the collection draws inspiration from Stromboli, the volcanic Italian island that adds depth and drama to the narrative.

Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine

The contrast between urban polish and vacation ease comes through in botanical prints, zebra motifs, dramatic volumes, and laser-cut leather accessories. Koma’s goal is clear: to elevate everyday looks into natural, sophisticated glamour that’s adaptable to any setting.

Courtesy of Blumarine

Under Koma’s direction, Blumarine is carving out a bold new identity—feminine, sensual, unmistakably Italian, and perfect for the modern woman who owns both the boardroom and the beach.

Courtesy of Blumarine
Courtesy of Blumarine
Courtesy of Blumarine

Hermès Fall 2025 Collection

Sarah Mitchell
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Hermès Fall 2025 Collection

Hermès Fall 2025 Collection

In its second chapter for Fall 2025, Hermès unveiled in Shanghai a collection that perfectly blends functionality with sophistication, designed for a bold, modern woman. With Shanghai’s spectacular Pudong skyline as a backdrop, Nadège Vanhée, the house’s artistic director for womenswear, reinterpreted Hermès’ classic elegance with an urban, versatile edge.

Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes

This collection moves away from the brand’s traditional focus on leather and instead highlights outerwear with a utilitarian spirit: reversible jackets, enveloping double-faced cashmere coats, and parkas featuring Hermès’ signature equestrian details reimagined for a contemporary look. Everything is designed with modularity in mind, allowing endless styling options for today’s fast-paced woman—whether for elegant occasions, casual outings, or even alternative parties.

Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes

Vanhée champions fashion that is not only timeless but also invites creativity and personal expression. “It’s the four-by-four coat—you can wear it to a golf club or a gothic party, and it works either way,” the designer explained.

Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes

The sophisticated fall color palette unfolded in rich layers of deep reds, burnt oranges, intense blues, and soft clay whites. Silk scarves were styled playfully as ear warmers over baseball caps, tied around the neck, or transformed into tube tops layered over silk shirts—evoking a touch of Miu Miu’s charm. Finishing touches included crossbody mini Kelly bags and brogue or polished riding boots, capturing the joyful aspirations of the Hermès woman.

Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes
Filippo Fior/ Courtesy of Hermes

With a monumental runway set on an orange structure stretching nearly a kilometer along the waterfront, Hermès reaffirmed its commitment to innovation and modernity, captivating a global audience with fashion designed for freedom of movement and personal creativity.

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