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Jonathan Anderson Takes the Helm at Dior Men

Sarah Mitchell
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Jonathan Anderson Takes the Helm at Dior Men

Jonathan Anderson Takes the Helm at Dior Men

Dior has officially announced that Jonathan Anderson will be stepping in as the new creative director of Dior Men, ushering in what could be a transformative era for the house’s menswear division. The announcement follows the departure of Kim Jones, who recently concluded his impactful seven-year tenure at the French fashion powerhouse.

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In his farewell, Jones expressed deep gratitude toward his studio team, Dior’s skilled ateliers, and Bernard and Delphine Arnault. His final collection, for Fall 2025, reflected on the uncertain yet pivotal moment the fashion industry currently faces. “Fashion is in a time of unsettling evolution,” Jones had told Vogue Business. “You need to offer something solid.”

The news of Anderson’s appointment was confirmed by Bernard Arnault himself, chairman and CEO of LVMH, during the luxury conglomerate’s annual shareholders meeting. Anderson is expected to present his first collection for Dior Men at Paris Fashion Week this June—an event already generating significant buzz.

This marks the first official move by LVMH since Anderson’s exit from Loewe, where he served as creative director for 11 years and revitalized the Spanish heritage brand with his distinct blend of craftsmanship and avant-garde vision. He also continues to lead his namesake label, JW Anderson, known for its intellectual playfulness and genre-defying aesthetic.

Anderson’s arrival at Dior signals more than a simple creative transition; it represents a shift toward a renewed masculine identity—one informed by conceptual design, couture-level execution, and cultural dialogue. His work often challenges traditional codes of masculinity while celebrating fashion as wearable art.

Although LVMH has not confirmed the widespread speculation, there is ongoing buzz about Anderson potentially taking over Dior’s womenswear as well—currently helmed by Italian designer Maria Grazia Chiuri. If realized, this dual leadership would mark a significant consolidation of creative power within the house.

What’s clear is that Dior is placing a strategic bet on Anderson’s visionary talent to shape the next era of its menswear legacy. As fashion continues to grapple with shifting values, gender fluidity, and the demand for deeper artistic storytelling, his appointment is both timely and culturally relevant.

The world will be watching closely this June, when Dior unveils its next chapter under the guidance of one of fashion’s most innovative minds.

Dior Pre-Fall 2025 Collection

Sarah Mitchell
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Dior Pre-Fall 2025 Collection

Dior Pre-Fall 2025 Collection

With poetic delicacy and assertive purpose, Maria Grazia Chiuri opens a new chapter in Dior’s longstanding love affair with Japan. This time, the story unfolds in Kyoto, bathed in the fleeting beauty of cherry blossoms and framed by the serene grounds of Tō-ji Temple—home to the tallest wooden pagoda in the country.

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

The Pre-Fall 2025 collection was more than a fashion show—it was a meditative journey merging spiritual heritage with high-level prêt-à-porter craftsmanship. Against a backdrop of tranquility, Chiuri presented a wardrobe that whispered strength and elegance. Her silhouettes paid homage to both the composed grace of geishas and the calm power of samurais. From translucent kimono-inspired dresses to origami-folded wide-leg jeans, each piece embodied a contemporary wearability without compromising artistry.

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

The collection exhaled a palette of understated, “practical” hues, as Chiuri described it, layered over timeless shapes with thoughtful twists. There were painterly denim jackets printed with Edo-period landscapes, bomber jackets with sculptural collars, and sweeping silk dresses embroidered with poetic motifs—subtle nods to nature’s impermanence, infused with the Japanese philosophy of mono no aware.

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

The runway’s soundtrack, curated by French DJ Michel Gaubert, stayed true to the space’s reverence. Hardcore techno was replaced with the organic sounds of Ryuichi Sakamoto and the ethereal bells of Ichiko Aoba, crafting a sonic landscape as reflective as the garments themselves.

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

What elevated this collection to a rarefied level was Chiuri’s collaboration with Kyoto’s master artisans. Three renowned local ateliers—Tatsumura Textile, Kihachi Tabata, and Yoshiyuki Fukuda—brought their centuries-old expertise to the collection. Tatsumura recreated Dior’s original Japanese brocade from 1953. Tabata, celebrated for its kimono dyeing technique Yuzen, reimagined cherry blossom motifs from Dior’s Spring 1953 haute couture show in soft shades of indigo and pink. Meanwhile, Fukuda used his signature steam-dyeing process to create landscape prints that captured Chiuri’s vision of “light filtering through the forest.”

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

For Chiuri, this cross-cultural craftsmanship was not just homage—it was dialogue. “When we talk about artisan work, about silk, about prints… it’s a language that unites the global fashion community,” she noted. Her appreciation extended to how modern technology now enables prêt-à-porter garments to reach near-haute couture quality—bridging the past and future of luxury fashion.

Courtesy of Dior
Courtesy of Dior
Courtesy of Dior

Chiuri also shared a personal memory of discovering traditional Japanese garments in Italy, inspired by the wave of Japanese designers who influenced Western fashion in the 1980s. “The construction of the kimono was completely unusual in Europe. I remember immediately buying some vintage ones to wear with my jeans.”

She emphasized how such garments define the body not through tailoring, but through draping and motion—shaping form through the wearer. “And it’s not masculine or feminine. That’s what makes it so fascinating,” she concluded.

The show, staged in one of Kyoto’s most sacred locations, became more than an homage—it was a fashion meditation. Dior didn’t just present a collection—it invited us to pause, to feel, and to rethink the timeless dialogue between culture and couture.

Kendall Jenner and Hunter Schafer Star in Prada’s Vision of Summer Escape

Sarah Mitchell
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Kendall Jenner and Hunter Schafer Star in Prada’s Vision of Summer Escape

Kendall Jenner and Hunter Schafer Star in Prada’s Vision of Summer Escape

While other luxury houses wrestle with market slowdowns, trade tensions, and the unpredictable tides of global consumption, Prada charts its course with tranquil elegance and strategic brilliance. The Italian fashion powerhouse unveils its latest campaign, “Days of Summer,” a poetic exploration of seasonal escape, starring modern muses Kendall Jenner and Hunter Schafer. The message? Escapism, yes — but with quiet power and polished restraint.

Kendall Jenner and Hunter Schafer are among the talents who appear in Prada’s new ad campaign / Courtesy Of Prada

Shot by Oliver Hadlee Pearch and creatively directed by Ferdinando Verderi, the campaign takes place aboard pastel-toned gozzi — traditional Italian wooden boats — floating effortlessly on unnaturally calm waters. There’s a dreamlike quality to the images: soft, surreal, and strikingly intentional. With minimalism as its anchor and fantasy as its wind, Prada once again delivers a visual narrative that whispers rather than shouts.

Kendall Jenner returns to the brand after her Fall 2022 campaign appearance, while Schafer, a longtime Prada favorite and front-row fixture in Milan, brings her unique blend of fragility and strength to the lens. Alongside them, a cast that includes Troye Sivan, Julia Nobis, Lina Zhang, and Noor Khan brings a sense of diversity and texture to the story — a contemporary tapestry of Prada’s evolving identity.

The collection itself moves with the same duality as its setting: casual and formal, seaside and city, ease and elegance. Silhouettes flow freely, referencing both tailored structure and breezy nonchalance. It’s the wardrobe of a modern summer getaway, where every garment is an invitation to breathe, wander, and be seen.

And in a brilliant act of retail storytelling, the campaign’s signature pastel gozzi boats now float in Prada’s store windows worldwide, dissolving the boundaries between image and experience. What begins as a campaign becomes an immersive fantasy, as accessible on the street as it is aspirational in print.

“Days of Summer” isn’t just another seasonal showcase — it’s Prada’s quietly confident statement that in times of noise and weariness, the ultimate luxury lies in crafting a world of your own: serene, striking, and seemingly effortless.

Kendall Jenner Defies Boho Chic at Coachella with an Unexpectedly Coquette Look

Sarah Mitchell
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Kendall Jenner Defies Boho Chic at Coachella with an Unexpectedly Coquette Look

Kendall Jenner Defies Boho Chic at Coachella with an Unexpectedly Coquette Look

When boho chic reigns supreme and Coachella becomes the runway for fringe, crochet, and vintage whimsy, it takes someone like Kendall Jenner to completely rewrite the script—with elegance and calculated precision. While most festival-goers embraced free-spirited maximalism, Jenner took a refined turn and landed in Indio wearing a look that subverts both the season’s dominant trend and Coachella’s own sartorial expectations.

Her choice? A butter-yellow midi dress by Proenza Schouler from the brand’s The New White Label capsule collection. A far cry from the feathered headdresses and barely-there denim shorts we’ve come to expect, this softly structured dress offered a polished, ladylike silhouette that caught the eye for all the right reasons. But make no mistake—nothing here was accidental. The dress, reportedly named after Jenner herself, was the centerpiece of a meticulously planned appearance at a Coachella party sponsored by her own tequila brand.

Courtesy Of Backgrid

The dress taps into one of spring’s most beloved shades—pastel yellow—and blends it with a silhouette that echoes coquette romanticism. A delicately defined empire waistline, lightweight fabric perfect for rising desert temperatures, and elegantly placed seams around the hips gave the classic shape a dramatic twist. The result? A subtle nod to crinoline structure that redefined modern femininity for the festival circuit.

Courtesy Of Backgrid
Courtesy Of Backgrid

What makes this look truly captivating is its quiet rebellion. While it may seem off-trend at first glance, Jenner’s ensemble elevates itself above seasonal clichés. Instead of dressing “for Coachella,” she dressed for impact—something timeless, wearable, and memorable. And, as expected, the $600 dress has already sold out on the brand’s official site.

Kendall’s look is a masterclass in how to turn the expected upside down while looking entirely effortless. She proves that sophistication and edge can coexist, and that sometimes, the boldest statement is the softest one. If this is the future of festival fashion, we’re more than ready to leave the fringe behind.

Lisa Channels Futuristic Couture Power in Dazzling Solo Debut at Coachella

Sarah Mitchell
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Lisa Channels Futuristic Couture Power in Dazzling Solo Debut at Coachella

Lisa Channels Futuristic Couture Power in Dazzling Solo Debut at Coachella

When Lisa from Blackpink takes the stage, she doesn’t just deliver a performance — she ignites a fashion moment. On the opening night of Coachella, the Thai superstar redefined stage style, merging futuristic drama with high-fashion surrealism, under the creative direction of her stylist Brett Alan Nelson and avant-garde designer Asher Levine.

Lisa’s Coachella 2025 stage by Asher Levine / Courtesy Of Elia Berthoud

Known for his work with lab-grown leathers and cutting-edge technology, Levine was handpicked by Lisa and Nelson to create two bespoke looks for her solo act. The first outfit, worn during her dramatic entrance, was inspired by anime villains and infused with reptilian flair. “The references were anime cyborgs — muscular suits and oversized jackets. I added my twist by fusing that idea with a reptilian aesthetic,” Levine told WWD via email. The result was a sculpted reptile-skin suit and chest piece, tailored to perfection. Lisa didn’t just wear the look — she embodied it, transforming into a powerful, otherworldly force.

Lisa’s Coachella 2025 stage / Courtesy Of Asher Levine

For her second look, Lisa turned into a luminous being. Inspired by bioluminescent organisms and translucent insects, she wore a shimmering tendril-laced suit with crystal-like petals, layered over an inner bodysuit detailed with vivid, vein-like lines. “Both looks explore transformation — one is bold and dominant, the other airy and ethereal. That balance is what excites me most,” said Levine.

Lisa’s Coachella 2025 stage / Courtesy Of Asher Levine

Levine and his fashion, sculpture, and tech teams in Los Angeles created the intricate pieces at lightning speed. Wireless lighting — a signature of Levine’s — added a glowing, living dimension to the garments. “It’s like wearable alchemy,” he explained. “Transforming light, texture, and shape into something that feels alive.”

But these weren’t just showpieces — they were engineered for performance. The outfits were designed to withstand heat, light, and the dynamic demands of choreography. “I design for those evolving into their next self — into something alien, something new,” Levine said. “The work lives at the intersection of couture, technology, and movement. It needs to feel magical but also move like second skin.”

Lisa, evolving before our eyes, delivered a performance that wasn’t just memorable — it was iconic. Wrapped in couture alien armor and ethereal glow, she showed us what modern pop stardom looks like when fashion becomes storytelling.

Gigi Hadid Sets Trends in Tom Ford on The Tonight Show

Sarah Mitchell
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Gigi Hadid Sets Trends in Tom Ford on The Tonight Show

Gigi Hadid Sets Trends in Tom Ford on The Tonight Show

It’s no surprise that Gigi Hadid consistently delivers impactful fashion moments, both on the red carpet and in her off-duty appearances. So naturally, her latest look on The Tonight Show Starring Jimmy Fallon served as yet another sartorial lesson.

Gigi Hadid opts for a Tom Ford look for her appearance on The Tonight Show

For the occasion, stylist Elizabeth Sulcer dressed the supermodel in a striking ensemble from Tom Ford’s Spring 2025 collection, designed by Haider Ackermann. “We wanted something structured and sophisticated, yet easy and naturally chic. The new Tom Ford collection was perfect for that,” Sulcer told WWD.

Gigi Hadid opts for a Tom Ford look for her appearance on The Tonight Show
Gigi Hadid opts for a Tom Ford look for her appearance on The Tonight Show

Of course, when Gigi Hadid does tailored fashion, it’s never predictable. She wore a powder-blue leather shirt, tucked into high-waisted black tailored trousers. The outfit was paired with matching powder-blue heels by Jimmy Choo and diamond jewelry by Alexei Hay. For beauty, makeup artist Carolina Gonzalez opted for a glowy, dewy finish and kept things natural. Her hair was pulled into a sleek bun with a side-swept strand, offering a modern, polished touch.

While on the show, Hadid also spoke about her fashion label, Guest in Residence, which currently operates two boutiques—one in Los Angeles and another in New York. She emphasized that the brand focuses on high-quality, unisex cashmere pieces. “The dream is for you to wear the clothes as often as you want, for them to stay like new, and eventually be passed down to your kids—that’s the dream,” she shared.

Gigi Hadid on “The Tonight Show Starring Jimmy Fallon.” Todd Owyoung/NBC

The model also revealed that she occasionally visits the boutique near her home to help out—assisting customers and even checking sizes—which sometimes confuses shoppers. “Some people don’t even realize it’s me,” she laughed.

Versace Returns to Italian Hands as Prada Ushers in a New Era

Sarah Mitchell
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Versace Returns to Italian Hands as Prada Ushers in a New Era

Versace Returns to Italian Hands as Prada Ushers in a New Era

After months of speculation, Prada has officially confirmed the acquisition of 100% of Versace from Capri Holdings for €1.25 billion.

On Thursday—the final day of Prada’s exclusive negotiations with Capri Holdings—the Hong Kong-listed Italian luxury powerhouse announced the agreement, noting that the deal remains subject to closing adjustments.

Courtesy Of Versace
Courtesy Of Versace
Courtesy Of Versace

“We are pleased to welcome Versace to the Prada Group and to open a new chapter for a brand with which we share a strong commitment to creativity, craftsmanship, and tradition,” said Patrizio Bertelli, Chairman and CEO of Prada Group. “Our goal is to carry forward Versace’s legacy—celebrating and reinterpreting its bold, timeless aesthetic—while providing it with a solid platform built on years of continuous investment and enduring relationships. Our organization is fully prepared and well-positioned to write a new page in Versace’s history, guided by our values and working with confidence and precision.”

Just last week, rumors circulated that Prada was prepared to pay up to €1.5 billion for Versace and Jimmy Choo combined. Back in March, Donatella Versace was named the brand’s principal ambassador, a symbolic role honoring her nearly three-decade leadership since the passing of her brother, Gianni Versace.

However, on April 1st, she was officially succeeded by Dario Vitale, a Miu Miu alum, who has been appointed as Versace’s new Creative Director.

Versace Fall 2025 Ready-to-Wear Collection at Milan Fashion Week Courtesy Of Versace

In 2018, Donatella struck a $2.1 billion deal to sell the family-owned business to Michael Kors Holdings, which later rebranded as Capri Holdings. Sources close to the matter revealed that Prada had entered into exclusive due diligence with Capri to acquire both Jimmy Choo and Versace. Industry insiders suggest that Prada may resell Jimmy Choo to another buyer, narrowing its focus solely on Versace. Neither Capri nor Prada have commented on that possibility.

According to insiders following the negotiations, Prada was among the first to place a bid after Capri Holdings tapped Barclays to lead the sale of its fashion brands. By February, Prada had moved ahead, entering into exclusive talks with Capri Holdings.

From Atelier to Aisle: Ashish Unveils His Intimate, Handcrafted Vision of Bridal Fashion

Sarah Mitchell
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From Atelier to Aisle: Ashish Unveils His Intimate, Handcrafted Vision of Bridal Fashion

From Atelier to Aisle: Ashish Unveils His Intimate, Handcrafted Vision of Bridal Fashion

In a bridal world often confined by predictable lace and safe silhouettes, Ashish Gupta breaks the mold with a collection that is exuberant, aesthetically intelligent, and emotionally charged. The designer—renowned for his fearless use of sequins, sparkle, and unapologetic glamour that has captivated the likes of Cate Blanchett, Taylor Swift, and Selena Gomez—has unveiled his first-ever bridal collection. And it does not disappoint.

Courtesy of Ashish
Courtesy of Ashish

Launched with a direct-to-consumer approach, the debut bridal capsule features six looks that feel both intimate and spectacular. Gupta revisits his creative archive to reinterpret some of his most iconic pieces through a refreshed lens. Highlights include a dramatic fringed gown embroidered with hand-sewn glass beads, a cream silk organza dress adorned with cascading hand-applied flowers, and a reimagined version of the now-viral confetti veil—originally made for a close friend—embroidered with multicolored sequins and beads.

The confetti veil has become something of a bridal phenomenon, surfacing on Pinterest boards worldwide and sparking a surge of interest in Gupta’s unique take on wedding fashion. “People keep messaging me with screenshots of it from Pinterest, asking, ‘I think you’ve made this veil—can we do something like it?’” the designer shared.

Courtesy of Ashish
Courtesy of Ashish

That wave of attention was further amplified when Radhika Merchant, during the high-profile Ambani wedding celebrations, wore one of Ashish’s signature fringe dresses—cementing the designer’s status as a go-to for statement bridalwear.

Crafted by a dedicated team of artisans in India, the collection is priced accessibly, ranging from around £2,000 to just under £4,000 for more labor-intensive pieces. Gupta approaches bridal as he would haute couture: fittings, hand embroidery, finishing touches, and bespoke adjustments—all meticulously handled in his India-based studio. “Everything is done by hand, finished, and reworked to perfection,” he notes.

Courtesy of Ashish

What makes this collection particularly resonant is not just its visual impact, but its emotional and cultural authenticity. Gupta isn’t merely responding to a market trend—he’s creating a new space in bridal fashion where artistic expression, tradition, and individuality meet.

For brides seeking a wedding look that tells a story—one rooted in craftsmanship, creativity, and pure joy—Ashish Gupta offers something truly unforgettable: a wearable piece of art for the most personal of days.

Reem Acra Introduces ‘Roses’: A Romantic Reinvention of Bridal Elegance at NYBFW

Sarah Mitchell
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Reem Acra Introduces ‘Roses’: A Romantic Reinvention of Bridal Elegance at NYBFW

Reem Acra Introduces ‘Roses’: A Romantic Reinvention of Bridal Elegance at NYBFW

In a move that blends sophistication with strategy, Reem Acra takes a bold step in evolving her bridal universe with Roses, a new collection that reimagines her couture heritage through the lens of accessibility. Launching in Spring 2026 during New York Bridal Fashion Week, the line debuted alongside her haute couture collection—an intentional gesture placing both offerings on equal aesthetic footing, albeit at different price points.

Roses by Reem Acra collection for spring 2026. Courtesy of Reem Acra

For over two decades, Acra has been synonymous with romantic luxury. But Roses signals a distinct intention: to bring that signature elegance to a new generation of brides seeking design, authenticity, and emotion—without breaking the bank. “For more than 20 years, we’ve been a destination for brides seeking luxury, elegance, and romance,” Acra states. “Roses offers all three at an accessible price point, allowing every bride to be a Reem Acra bride.”

With a nostalgic nod to the timeless glamour that has defined her career, Acra revisited her personal archives to recover silhouettes that have graced red carpets and wedding aisles alike. These iconic shapes—light, romantic, and full of grace—were carefully reimagined for the new line: less embellishment, more fluidity; less opulence, more intention.

Roses by Reem Acra collection for spring 2026. Courtesy of Reem Acra

The 21-piece collection is priced up to $5,000, but Acra’s refined touch remains unmistakable. Mikado, her signature fabric, features prominently, along with rose-motif lace that subtly nods to the collection’s name. The aesthetic is unmistakably Acra: feminine, delicate, but with a sculptural clarity that radiates quiet strength.

In a move that reinforces her global presence, Acra will continue to offer couture bridal services from her New York atelier, while Roses will expand through select boutique partnerships. “We look forward to evolving the collection not only through innovative design,” she says, “but also by carefully expanding it to reach new brides through collaborations with stores and branded experiences that bring them into the Reem Acra world.”

With Roses, Reem Acra proves that democratizing luxury doesn’t mean diluting it. On the contrary, it’s an invitation to rediscover the eternal through the attainable. A collection that breathes modern romance—while staying unmistakably, and beautifully, Reem Acra.

Emilio Pucci Spring 2025 Collection

Sarah Mitchell
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Emilio Pucci Spring 2025 Collection

Emilio Pucci Spring 2025 Collection

In a display steeped in Mediterranean theatricality and contemporary precision, Camille Miceli transported Pucci’s Spring 2025 collection to the hilltop serenity of La Cervara — a medieval abbey turned dramatic setting overlooking the Gulf of Tigullio. If there were any lingering doubts about the refined, visionary direction Miceli is carving out for the storied maison, this collection put them to rest.

Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci

Before a select group of 230 guests, and against the romantic glow of a Ligurian sunset, Miceli delivered more than a fashion show — she staged a sensory experience. Silhouettes became a canvas for experimentation, and craftsmanship emerged as a quiet yet powerful protagonist. Billowy tops, seemingly sculpted by the breeze, were paired with parachute-nylon crinolines, shaped with laced cinches and embroidered with whimsical 3D appliqués. Fluid caftans stood in contrast to sharply cut asymmetrical tunics; bandeau minis were layered beneath oversized masculine shirting; and sheer, stretch-net column dresses clung to the body like tattoos.

Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci

Miceli sharpened her vision by distilling Pucci’s typically exuberant color palette to a restrained trio: black, white, and soft blush pink. Yet the house’s signature energy remained fully intact — just more focused, intentional, and elegantly contained. The restraint allowed the details — the true stars — to take center stage: hand-sewn shells, kinetic fringe cascading from belted ponchos, printed tubular strands fluttering from shoulder to hem, and sequins that reimagined Pucci’s iconic Marmo print, inspired by sunlight reflecting on the sea.

Closing the show were Kristen McMenamy in a graphic black-and-white beaded dress and Naomi Campbell, radiant in a slinky sequined gown — two fashion icons in a fitting finale to a visual opera, where every element, from lace-up sandals mimicking tattoos to silver costume jewelry that etched across the skin, was choreographed with precision.

Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci
Courtesy of Pucci

Miceli — balancing French savoir-faire with Italian exuberance — is not merely honoring Emilio Pucci’s legacy; she is reinterpreting it for the modern woman who craves lightness without frivolity, luxury without ostentation, elegance without rigidity. Her playful command of proportions — slim skirts beneath voluminous cotton poplin blouses, trompe-l’œil garments that appear as separates but are one-piece dresses — is evidence of a designer engaging in bold dialogue with the house’s heritage.

At a time when the world is divided between functional minimalism and maximalist escapism, Pucci under Miceli offers a third way: joyful, intelligent femininity that embraces artifice but elevates it to art. When fashion is done like this, it’s more than just clothing — it’s a necessary expression of beauty.

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