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Zimmermann Resort 2027 Collection

Zimmermann Resort 2027 Collection

For Resort 2027, Nicky Zimmermann looked beyond fashion’s usual references, drawing inspiration from the historic 1983 America’s Cup victory of Australia II. The landmark sporting triumph became the foundation for a collection that explores the intersection of athleticism and elegance while signaling the continued evolution of the Australian luxury house.

Rather than leaning into predictable nautical tropes, Zimmermann focused on the spirit of sailing itself—its movement, freedom, and sense of adventure. Photorealistic sail prints, regatta flag motifs, rope-inspired details, and technical outerwear subtly referenced the sport without overwhelming the collection’s sophisticated point of view.

Movement emerged as the defining theme. Silk chiffon and organza floated effortlessly around the body, while striped lace dresses incorporated concealed wire structures that created a rippling effect with every step. Crisp cotton poplin silhouettes introduced a sporty precision that balanced the romantic volume long associated with the brand.

The collection also reflected Zimmermann’s growing ambition beyond occasion dressing. While feminine dresses remain central to the label’s identity, Resort 2027 showcased a broader wardrobe shaped by new tailoring techniques and expanded product categories developed between the brand’s Australian headquarters and its Paris atelier.

Denim, one of Zimmermann’s fastest-growing segments, played a prominent role. Corset-inspired tops, dramatic skirts, and modern jeans injected a youthful, effortless energy into the lineup. Tailoring continued its upward trajectory through refreshed interpretations of eveningwear, including pastel tuxedo separates and sharply cut suiting softened by color and proportion.

A strapless lilac jumpsuit, lemon-yellow tuxedo ensembles, and powder-peach short suits offered a contemporary alternative to traditional formalwear, while lace bodysuits added versatility across day and evening dressing.

The Return of Jane Birkin’s Femininity

The Return of Jane Birkin’s Femininity

Bella Hadid didn’t just attend the Cannes Film festival. She owned it.

Wearing a custom-made dress from Schiaparelli which took 22.160 hours to create, she immediately became one of the most talked about appearances of the evening. The special ivory gown with black details was skintight, elegant and undeniably sexy.

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Why was the look so special? Some fashion lovers may have recognized the dress instantly. The piece references the exact gown Jane Birkin wore during the Union of Artists Gala in Paris 1969.

The sheer gown caught everyone’s attention. The dramatic cutout in the front and the black bow at the back became true eye-catchers. Bella Hadid completed the ivory look with Chopard diamonds, while the sparkling jewelry added an extra layer of elegance and Old Hollywood glamour to the ensemble.

While I believe Bella Hadid definitely created a fashion moment, the Cannes Film Festival code seemed to disagree due to “decency reasons”. According to the official guidelines, anything that comes close to nudity is not permitted. Yes, the dress featured a dramatic cutout, but that doesn’t automatically equal nudity.

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Now to the story behind the magnificent gown.

Jane Birkin wore the original dress while accompanied by her boyfriend, Serge Gainsbourg. Known for her authentic personality and effortless charm, Jane Birkin quickly became a cultural and fashion icon. With her Parisian “it Girl” aura, she represented a kind of femininity that still fascinates women today.

Even decades later, women around the world continue honoring her influence by recreating elements of her style. It is that effortless, chic and almost undone elegance they are all trying to capture.

Jane Birkin never became just a fashion icon – she became a timeless symbol of effortless femininity.

Louis Vuitton Cruise 2027 Collection

Louis Vuitton Cruise 2027 Collection

At New York’s The Frick Collection, Nicolas Ghesquière delivered one of his sharpest Cruise collections yet for Louis Vuitton—a collision of Gilded Age refinement, downtown attitude, and the graphic energy of Keith Haring.

The historic Upper East Side mansion became the setting for a collection that explored New York through contrast: uptown polish against street culture, aristocratic interiors against pop-art irreverence. While other luxury houses chased spectacle this season, Ghesquière opted for something more intimate and cerebral, transforming the museum’s galleries into a living conversation between art, fashion, and craftsmanship.

The collection opened with deceptively simple American staples—jeans paired with a vivid red knit top—before unfolding into a series of sharply constructed looks infused with Haring-inspired graphics and bold color. Leather jackets appeared pieced together like wearable canvases, while satin boxing shorts, sculptural peplum tops, and tailored coat dresses gave the lineup a restless, urban elegance.

Haring’s influence pulsed throughout the collection. Graffiti-like motifs traced across silk-trimmed dresses, patchwork leather outerwear, and accessories, injecting the house’s precision craftsmanship with a downtown edge. The palette leaned unapologetically pop: electric mango, saturated lilac, deep navy, and acid green.

Accessories, unsurprisingly, carried commercial force. Ghesquière introduced playful New York references through novelty bags shaped like Chinese takeout containers and vinyl records, alongside reworked Louis Vuitton classics. Footwear stood out as well—hybrid designs somewhere between boxing sneakers and futuristic boots, crafted from individually stitched leather strips.

Despite moments of deliberate eccentricity—fezzes, layered leather minis, exaggerated proportions—the collection felt unusually cohesive. Ghesquière balanced experimentation with wearability, grounding even the most artistic looks in a distinctly modern wardrobe.

Courtesy Of Louis Vuitton

The finale returned to the spirit of old New York society, reimagined through the designer’s futuristic lens. Voluminous ruffled blouses reminiscent of Gilded Age portraits were paired with multi-pocket cargo trousers, collapsing centuries of style into a single silhouette.

Kenzo Pre-Spring 2027 Collection

Kenzo Pre-Spring 2027 Collection

For his first pre-spring collection at Kenzo, Nigo refined the house’s evolving identity through a polished mix of workwear, Ivy League staples, and relaxed tailoring. The result was confident, practical, and unmistakably rooted in his fascination with American style filtered through a Japanese lens.

The collection drew inspiration from a vintage “Kenzo Work & Play” label discovered in the archives, giving Nigo a clear framework to balance utility and ease. Work jackets, overshirts, double-knee trousers, and softened tailoring anchored the lineup, while subtle references to Parisian dressing and collegiate uniforms reinforced the designer’s ongoing dialogue between East and West.

Nigo’s personal connection to ceramics also shaped the collection. An avid potter whose work was recently featured in his retrospective at the Design Museum, he translated hand-crafted textures and signatures into stamped monogram motifs throughout the range.

Denim dominated the collection in multiple forms, from washed cardigans and crisp work shirts to striped railroad jackets with a more rugged attitude. Elsewhere, striped poplin separates, cable-knit sweaters, quilted outerwear, and toggle coats introduced versatility designed to move seamlessly between formal and casual settings.

Japanese influences appeared subtly through kimono-inspired shirtdresses and floral motifs, adding softness to the collection’s utilitarian foundation. Rather than chasing novelty, Nigo focused on refining a wardrobe that feels wearable, modern, and commercially sharp.

Fashion Kills Romance

Fashion Kills Romance

When I think about love, my mind instantly switches to shoes. Especially high heels. My first love might have been a pair of Manolo Blahnik Mary Janes. That was the moment I started wondering: can romance and fashion coexist? Or is a human being the starting point? But then again, many like to express themselves through their sense of style, which reflects their love for clothes and also themselves. So, really, if you have any certain feelings for fashion, that just shows love for yourself. But how does your partner feel about that?

I believe that there’s plenty of room for countless obsessions in life. Unfortunately not everyone would agree. Living in 2026 made me realize, some partners are jealous of their better half. Is that even possible if you love someone? I mean look at Carrie in “Sex and the City” and Aiden. He did not understand her desire for couture and Manolos. Is it possible that your partner might feel intimidated by you? I often hear stories about women who are obsessed with dressing up, but somehow that makes their partner feel kind of… well let’s say uncomfortable. I mean who wears Valentino pumps to lunch?
Well, I do, and I will choose them for lunch in every lifetime.

Many of these women told me they had to downgrade themselves, just to make their partner feel comfortable. I do not approve but I get their point. Let’s take a look back to when women wore dresses, skirts and polka dots. Back in the time women used to wear something suitable. Modest. Innocent. Thankfully we live in a different timeline.

Many women still grow up believing in the old standards, afraid to show what the inside of their head looks like when it comes to fashion. Which leads to hiding behind the mask. Fashion is art, and art is unpredictable. So wear that gown to dinner and don’t save it for special occasions. And if your partner is not okay with that, you can still change the partner, and i dont mean change to make him or her better.

And maybe that’s the real romance: Finding someone who loves you as much as you love your Heels.

Gucci Cruise 2027 Collection

Gucci Cruise 2027 Collection

For his Cruise 2027 debut at Gucci, creative director Demna transformed Times Square into a cinematic collision of fashion, commerce, and New York excess.

On Saturday night, Gucci took over the city’s most chaotic intersection—billboards included—for a runway show that felt both monumental and intentionally overstimulating. Guests including Kim Kardashian, Mariah Carey, Lindsay Lohan, Iman, and Willy Chavarria gathered behind towering black barricades while the city continued moving around them in real time.

Demna embraced that tension. Before the show, he described Times Square as a place defined by sensory overload and constant consumption—an environment he wanted to confront rather than control. Giant digital screens alternated between serene nature imagery and fictional Gucci advertisements for everything from Gucci Gym and Gucci Pets to luxury hotels and wellness products, blurring the line between satire and aspiration.

That same tension carried into the collection itself. Cruise 2027 marked Demna’s clearest commercial proposition for Gucci so far, centered around Gucci Core—his reworking of everyday essentials through the lens of New York archetypes.

Tailored banker suits came styled with oversized logo totes and exaggerated backpacks. Sharp wool overcoats, leather pencil skirts, cropped moto jackets, and plush shearling outerwear reflected a wardrobe built for movement between downtown polish and uptown luxury. The silhouettes shifted between fitted and relaxed, often nodding to the sleek sensuality of Gucci’s Tom Ford era without slipping into nostalgia.

Among the standout pieces were a striking red naval coat cut from the same English wool used by the British Royal Guard, hand-painted leather outerwear inspired by vintage Flora motifs, and sharply tailored black looks that grounded the collection’s more experimental moments.

Not every avant-garde look landed with the same precision. Some of the show’s more conceptual pieces echoed Demna’s earlier work at Balenciaga more than Gucci’s evolving identity. Still, the strength of the collection emerged through its clarity of purpose: clothes designed not as fantasy objects, but as part of a living urban wardrobe.

The casting reinforced that message. Tom Brady appeared in head-to-toe leather, Alex Consani wore a sheer embellished caftan layered with necklaces, while Paris Hilton and Cindy Crawford brought a polished glamour that balanced the collection’s grit.

Jung Kook Reimagines Calvin Klein Through a Rebel Lens

Jung Kook Reimagines Calvin Klein Through a Rebel Lens

Jung Kook takes his partnership with Calvin Klein into new territory with a limited-edition capsule collection that channels the artist’s rebellious edge into the brand’s most recognizable staples.

Courtesy Of Calvin Klein

Marking his first fashion collaboration, Jung Kook for Calvin Klein reworks the label’s signature denim and underwear through a biker-inspired aesthetic shaped by the BTS star’s personal style and fascination with motorcycles.

The 20-piece collection spans menswear and womenswear, built around low-rise ‘90s denim, oversized trucker jackets, distressed finishes, racing stripes, graphic tees, hoodies, and a sleek racing jacket. The mood is intentionally worn-in and raw, balancing Calvin Klein’s minimalist codes with Jung Kook’s sharper, more rebellious energy.

Custom details reinforce the collaboration’s identity: a dedicated [CKJK] logo, hidden embroidery, personalized denim washes, exclusive packaging, and graphics inspired by the singer himself.

Since becoming a global ambassador for Calvin Klein in 2023, Jung Kook has emerged as one of the brand’s most influential faces, bringing a younger global audience into its orbit. This capsule pushes that relationship further by placing him directly inside the creative process.

According to the brand, Jung Kook worked closely with the design team from concept development through final fittings, selecting denim washes and refining silhouettes, including reinterpretations of the classic Calvin Klein trucker jacket. The result feels less like celebrity merchandising and more like an extension of his offstage identity.

The campaign, photographed by Alasdair McLellan, leans into cinematic Americana. Framed through motorcycle imagery and open-road references, Jung Kook appears as a modern rebel figure—merging fashion, music, and pop culture into a sleek visual narrative.

Apple Martin Steps Into the Spotlight With Chloé à la Plage

Apple Martin Steps Into the Spotlight With Chloé à la Plage

Apple Martin makes her campaign debut for Chloé, fronting the latest installment of the house’s sun-drenched Chloé à la Plage capsule collection.

Photographed by David Sims, the campaign unfolds in a surreal seaside landscape where oversized seashells emerge from the sand, evoking the dreamlike romanticism of Botticelli’s The Birth of Venus. The imagery captures the languid spirit of summer through a distinctly modern Chloé lens—soft, sensual, and slightly undone.

Creative director Chemena Kamali describes the collection as “an ode to a surreal summer fantasy,” rooted in escapism and ease. Martin, with her understated presence and natural glow, embodies that mood effortlessly.

The collection expands Kamali’s vision for Chloé’s resort identity, blending bohemian femininity with beachside practicality. Flowing dresses, broderie anglaise blouses, raffia accessories, jelly mules, and swimwear printed with hibiscus florals and parrots define the lineup, designed for both coastal getaways and everyday summer dressing.

Originally launched last year, Chloé à la Plage was conceived for the brand’s seasonal boutiques in luxury holiday destinations, alongside select stores and online distribution. The first campaign starred Claudia Schiffer; this season introduces a younger, more understated energy through Martin.

At 21, Martin continues to quietly build a presence in fashion following appearances for Self-Portrait and GapStudio. With Chloé, she enters a more elevated territory—one shaped less by celebrity lineage and more by atmosphere, image, and ease.

Hailey Bieber Fronts Alaïa’s Stripped-Back Vision of Modern Sensuality

Hailey Bieber Fronts Alaïa’s Stripped-Back Vision of Modern Sensuality

Hailey Bieber steps into the world of Alaïa for the house’s Fall 2026 Archetypes campaign, captured through the minimalist lens of photographer Tyrone Lebon.

Tyrone Lebon/Courtesy of Alaïa


Shot inside Lebon’s Grace Mews gallery in London, the campaign strips away distraction in favor of atmosphere and silhouette. Nearly monochromatic interiors and glass furnishings frame Bieber against Alaïa’s sculptural designs, creating images that feel intimate, restrained, and quietly powerful.


The campaign also marks one of the final projects overseen by Belgian designer Pieter Mulier before his move to Versace later this year. Under Mulier, Alaïa’s Archetypes collections—his evolving interpretation of pre-collections—have become essential to the house’s identity, distilling its core vocabulary into a modern wardrobe.

Tyrone Lebon/Courtesy of Alaïa


For Fall 2026, that vocabulary centers on precision and sensuality. Sculpted knitwear, second-skin leather, and fluid jersey pieces define the collection, balancing technical innovation with the body-conscious codes long associated with Alaïa. Rather than relying on overt styling, the campaign lets construction speak for itself.
Bieber, whose off-duty aesthetic has increasingly shaped contemporary minimalism, brings an effortless sharpness to the images. Her presence aligns naturally with Alaïa’s current mood: confident, refined, and free of excess.

5 Best Dressed Stars at the 2026 Met Gala

5 Best Dressed Stars at the 2026 Met Gala

At the 2026 Met Gala, themed “Fashion Is Art,” the red carpet became a study in form, illusion, and expression. Inspired by the Costume Art exhibition, guests approached dressing as sculpture—shaping the body, distorting it, or transforming it into something entirely conceptual.

The result was a night where fashion moved beyond adornment. It became structure, commentary, and, at its best, pure visual impact. These five looks stood out for their clarity of vision and execution.

Kylie Jenner in Schiaparelli Haute Couture

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Kylie Jenner delivered one of the evening’s most compelling interpretations of the body as art. Her Schiaparelli corset played with illusion: a sculpted nude base layered beneath white brocade, as if the garment were peeling away from the body. It was surreal, precise, and unmistakably modern couture.

Sinéad Burke in Christian Siriano

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Activist and fashion force Sinéad Burke chose architectural restraint. Her black corseted gown by Christian Siriano emphasized proportion and structure, proving that impact doesn’t require excess—only intention.

Sabrina Carpenter in Dior

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In Dior, Sabrina Carpenter balanced delicacy with polish. Styled by Jared Ellner, her look paired refined tailoring with luminous Chopard jewels and Christian Louboutin heels—classic elements sharpened for a contemporary red carpet.

Kendall Jenner in Gap Studio

Minimalism found new relevance through Kendall Jenner, who wore custom Gap Studio with Buccellati jewelry. The look stripped back excess, focusing instead on silhouette and finish—proof that restraint can feel radical in a maximalist setting.

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Kim Kardashian in Allen Jones x Whitaker Malem

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Always attuned to spectacle, Kim Kardashian embraced the theme through collaboration. Her look, created with Allen Jones and Whitaker Malem, fused art and fashion into a single statement piece. Paired with Christian Louboutin shoes, it blurred the boundary between object and wearer.