Balmain & Laetitia Casta: An Ode to Parisian Elegance
Laetitia Casta exudes sophisticated Parisian femininity as the face of Balmain’s Spring 2025 campaign, photographed by Juergen Teller in a series of raw, unfiltered images. Departing from traditional polished fashion photography, the shoot took place inside Olivier Rousteing’s Parisian home, emphasizing a more authentic and intimate aesthetic that highlights the brand’s deep French roots.
The campaign presents Casta in striking, structured silhouettes, including a vivid red suit with bold pagoda shoulders, perfectly complementing her deep red lips. She is depicted lounging on a zebra-skin rug, straddling a black marble panther, and even posing in Rousteing’s bathtub—blurring the line between editorial glamour and personal storytelling.
Juergen Teller/BalmainJuergen Teller/Balmain
Rousteing, a longtime admirer of Casta, considers her “an icon” and the perfect embodiment of Balmain’s evolving identity. “She symbolizes sophistication, elegance, and the sensual essence of Parisian femininity,” he explained. Their collaboration underscores his belief that fashion reaches its highest expression when there is a true creative connection between the designer and his muse.
Additionally, the campaign unveils Balmain’s new ‘Anthem’ bag, a sleek leather satchel featuring a cinched belt detail, designed to convey confidence and effortless allure.
Through this campaign, Balmain embraces its Parisian heritage while adopting a fresh, modern visual direction, blending timeless elegance with contemporary intrigue—all embodied by the captivating presence of Laetitia Casta.
Selena Gomez Stuns in a Schiaparelli Custom Haute Couture at the 2025 BAFTA
At the 2025 BAFTA Awards, Selena Gomez turned heads in a breathtaking custom-made Schiaparelli haute couture gown. Designed by Daniel Roseberry, the dress was a masterpiece of craftsmanship, featuring a dramatic black velvet Bardot neckline that elegantly framed her shoulders. The form-fitting silhouette, heavily adorned with intricate hand-sewn crystal embellishments, cascaded into a floor-length skirt with a subtle train, exuding timeless glamour.
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Nearly stealing the spotlight from her marquise-cut engagement ring, the gown was perfectly complemented by a selection of modern and vintage Tiffany & Co. jewelry. Gomez wore a $28,400 diamond band ring, platinum diamond earrings, and stacked bracelets and rings, all curated from the brand’s exclusive archives. She completed the look with a sleek updo and a bold red manicure, adding a striking contrast to her monochrome ensemble.
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Gomez was nominated for Best Supporting Actress for her role in Emilia Pérez, competing against Ariana Grande (Wicked), Felicity Jones (The Brutalist), Jamie Lee Curtis (The Last Showgirl), Isabella Rossellini (Conclave), and Zoe Saldaña, her co-star in Emilia Pérez.
Beyond her cinematic success, Gomez is also making waves in the music industry. She and her fiancé, Benny Blanco, recently released their duet “Scared of Loving You”, just in time for Valentine’s Day. In their first joint interview with Interview, the couple opened up about their creative process, adding another layer to Gomez’s ever-evolving career as a powerhouse in entertainment and fashion.
Helena Christensen Brings Her Signature Style to Rolla’s Jeans’ New Campaign
Supermodel and photographer Helena Christensen takes center stage in Rolla’s Jeans’ latest and most ambitious campaign, reinforcing the Australian brand’s evolution in the denim world. The collection highlights the Gigi Barrel Jean in its new Helena Rinse shade, a deep, elegant wash that embodies the timelessness and versatility of denim.
Helena Christensen for Rolla’s JeansHelena Christensen for Rolla’s Jeans
For Sarah Gilsenan, Rolla’s creative director, Christensen has long been a source of inspiration: “Her natural beauty and effortless glamour make any outfit, from an evening gown to a pair of jeans, look both sophisticated and relatable.” The campaign, one of the brand’s biggest to date, will be featured across digital media, social networks, street posters in New York City, and a massive billboard in Times Square.
Co-founder Rich Bell emphasized the significance of this collaboration, noting that it marks a pivotal moment for the brand: “We’ve worked with names like Sofia Richie and Phoebe Tonkin, but having a fashion icon like Helena Christensen solidifies our identity and heritage in denim.”
Helena Christensen for Rolla’s Jeans
Beyond being the face of the campaign, Christensen played an active role in the creative process, collaborating on the selection of photographer Kat Irling, as well as the art direction and styling. Alongside her best friend and stylist Camilla Staerk, she blended Rolla’s aesthetic with pieces from their own label, Staerk&Christensen, crafting looks that reflect her distinctive style.
“Working with a trusted team changes the dynamic of a shoot. It felt more like a creative day with friends than a traditional production”, Christensen explained, highlighting the project’s authenticity and close-knit collaboration.
Helena Christensen for Rolla’s Jeans
The campaign also underscores the significance of the Gigi Barrel Jean, a contemporary and flattering silhouette that, according to Gilsenan, is one of the strongest denim trends in recent years. Available worldwide in stores and online, the collection captures fashion in an elegant yet relaxed form.
A true denim enthusiast, Christensen continues to explore her personal style, alternating between oversized jeans and ’70s-inspired denim skirts. With this collaboration, she reaffirms her status as a timeless style icon and a muse whose influence transcends generations.
Closing out New York Fashion Week, Thom Browne presented one of his most vibrant and accessible collections to date, merging his iconic tailoring with playful bird motifs and a deeper symbolic narrative. The runway, adorned with 2,000 origami birds, served as a whimsical backdrop for a collection that was both visually captivating and conceptually rich.
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Bird imagery has become a consistent thread in Browne’s work. While last year he delved into Edgar Allan Poe’s dark raven, this season he drew inspiration from a birdwatching feature on 60 Minutes. “Given the current political climate, I wanted to offer a hopeful reference,” Browne noted. For him, birds represent the freedom to express oneself creatively, encouraging individuals to ignore external pressures and remain authentic.
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The bird symbolism unfolded in both subtle and overt ways. The collection opened with couture-like silhouettes that mimicked the curves of a bird’s chest and rounded shoulders. As the show progressed, more intricate details appeared, such as bird embroidery and intarsia work reminiscent of John James Audubon’s meticulous illustrations. These designs graced oversized coats in traditional tweeds, bringing together classic tailoring and artistic detailing.
Although the show began with two models clad in Browne’s trademark gray ensembles, it quickly transitioned into a display of bold colors and custom-designed tweeds. Among the highlights were color-blocked dresses crafted from bias-cut satin strips that resembled feathers, alongside paint-splattered pieces that subtly referenced bird droppings—a humorous house signature for Browne.
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Despite these playful elements, the collection retained an air of sophistication. “I wanted the concepts to feel traditional, but the execution to be anything but,” Browne explained, achieving a balance between classic silhouettes and unexpected details.
While Browne is celebrated for his theatrical runway presentations, this season’s collection leaned more towards wearability. The designer incorporated relaxed tailoring, including plaid jackets, trousers, and button-down shirts with ties, offering commercial appeal alongside his more fantastical designs. Noteworthy were the doll-like dresses supported by voluminous crinolines, which floated down the runway like childhood spinning tops. The finale featured a dramatic gold-embroidered jacket paired with a 40-meter tweed ball skirt, meticulously stitched by seamstresses during the pre-show fitting.
A small birdcage placed on the runway, containing a miniature version of Browne, hinted at a personal backstory. “My high school mascot was a canary—the only bird that can fly through the eye of a hurricane,” he shared, perhaps symbolizing resilience amidst life’s turbulence.
Browne also subtly acknowledged the challenges faced by designers today, from political tensions to the instability in the fashion industry. “Designers aren’t being treated well,” he remarked, suggesting solidarity with the broader creative community. However, his overarching message was clear: embrace your creative vision and find hope in self-expression.
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Browne’s influence wasn’t confined to the runway. At this year’s Grammys, rapper Doechii made a statement wearing Browne’s designs, from a corseted striped gown on the red carpet to a tailored gray shorts suit during her performance. Her outfits showcased Browne’s ability to straddle high fashion and pop culture effortlessly.
In a fashion week often overshadowed by real-world events, Thom Browne delivered a collection that was both uplifting and thought-provoking. With a blend of playful motifs, intricate craftsmanship, and a strong narrative, Browne demonstrated that fashion can be a powerful medium for hope, humor, and individual freedom—even amidst the chaos of the world.
For his Fall 2025 collection, Michael Kors returns to his roots, showcasing his mastery of sophisticated tailoring and relaxed luxury. Inspired by icons like Lauren Hutton, Sharon Stone in pajamas, and Zoë Kravitz in a robe, Kors reclaims the effortlessly chic style, declaring, “Americans invented the idea of comfort, and the world has stolen it from us.”
The designer rejects the term “minimalist,” which he finds cold and clinical, favoring instead a warm modernism: clean, timeless silhouettes, tactile materials, and an aesthetic that evokes both homey comfort and cosmopolitan elegance. Responding to the challenges faced by the luxury industry, including his parent company Capri Holdings, Kors doubles down on versatility, quality, and durability.
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The collection features polished suits and modern layering that offer movement and versatility across seasons. Kors proposes combinations like coats over flowing dresses or asymmetrical pleated skirts layered over pants, creating options for a variety of occasions.
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Kors also makes a statement about age diversity, casting a wide range of models. “It’s crazy to think everyone is 26. We have fabulous clients in their 70s and even some in their 80s,” he noted, emphasizing that fashion should serve women of all ages.
The collection stays true to Kors’ signature neutral palette of black, gray, camel, and brown (a color the designer embraced long before Pantone named Mocha Mousse the color of the year). These tones are complemented by subtle accents of seafoam green, lavender, and plum, adding depth without disrupting the harmony.
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Kors also experiments with unexpected textures: shiny gabardines, lightweight flannels, and trompe l’oeil fabrics that mimic winter weight without the heaviness. A standout example is a cashmere flannel plaid vest paired with a silk dress featuring a matching trompe l’oeil print that plays with perception.
Elegant comfort is at the heart of this collection. Kors reinvents shearling, a big trend this season, with a loose-fitting chocolate brown shearling coat featuring patch pockets and a matching flexible shearling hat, achieving a refined, chic interpretation. For evening, he opts for understated glamour with bias-cut suits embroidered in tonal sequins and sequin cape dresses that balance relaxation with sophistication.
Accessories are kept simple yet luxurious: silver pendants wrapped in leather, structured handbags with touches of faux fur, and dramatic leather opera gloves that add a bold flair. Meanwhile, slipper-style shoes and boots underscore Kors’ commitment to combining comfort with style.
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With a focus on creating garments suitable for different climates, Kors designs versatile pieces like a lightweight silk and wool trench coat in caramel, which can be paired with pants and tall boots on colder days or worn alone with sandals in warmer weather.
In conclusion, Michael Kors presents a collection that celebrates sophisticated comfort and effortless elegance, reaffirming his position as a master of modern tailoring who understands the needs of today’s woman. In a fashion landscape that often swings between the fleeting and the excessive, Kors proves that luxury can be timeless, functional, and accessible to women of all ages.
As New York Fashion Week nears its end, American sportswear has emerged as the dominant theme of the season. In times of social and economic uncertainty, designers seem to gravitate toward what they know best—practicality, comfort, and everyday sophistication. Among them, Tory Burch stood out with her Fall 2025 collection, presented at the Museum of Modern Art (MoMA), where she expressed her enduring admiration for American sportswear. She even questioned why New York is often considered second or third to Paris and Milan in the fashion world, pointing out that “sportswear originated here.”
Burch’s latest collection took familiar wardrobe staples and gave them an unexpected, playful twist. She experimented with classic designs, altering their structure and materials in inventive ways. For instance, unfinished shirt seams were designed to be pulled over the arms and secured with gold brooches, while leather jackets featured an array of snap pockets in varying sizes, cleverly replacing the need for a handbag—although she did include fun bags with the same pocket details.
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Her recent seasons have been defined by this desire to push boundaries, and this collection struck the perfect balance between experimentation and wearability. Velvet pants infused with metal fibers offered a crinkled, worn-in look, while hourglass dresses featured asymmetrical necklines, with lucky rabbit’s foot charms and gold chains dangling from one shoulder. She also reimagined sweatpants in brushed wool and added sheer mesh overlays to blazers, giving classic pieces a fresh, modern edge.
One particularly memorable look showcased a nylon quilted coat cinched at the waist with oversized pins, giving it a casual yet edgy feel—something that felt authentic, like a spontaneous styling choice a woman might make in real life. The hypnotic laughter soundtrack by Charlotte Adigéry and Bolis Pupul perfectly complemented the show’s quirky, “twisted” theme, suggesting that in a distorted world, fashion can respond with a playful twist.
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Burch elevated traditional sportswear elements, turning them into refined fashion statements. Sweatshirts were upgraded with brushed Japanese jersey and velvet, complete with zippered cuffs paired with buckle shoes. Meanwhile, fleece pullovers were crafted from needle-punched wool, and typical sports mesh fabric was transformed into a chic spiral-cut polo dress with a whimsical Bambi animal print.
Even puffer jackets received a sophisticated makeover, designed in feather-light nylon with body-hugging silhouettes and a glossy finish that elevated them from casual wear to high fashion. Burch also incorporated sequins and silky filaments into outerwear, adding unexpected texture and richness to everyday pieces.
Burch continued to play with traditional tailoring, offering unexpected details that encouraged individual expression. Tweed dresses and twin sets were slimmed down, with long sleeves that could be tied or pinned at the neck for a modern twist. Banker-striped shirts were widened at the cuffs with extra rows of buttons, allowing wearers to twist and adjust the fit for a more dynamic silhouette. Adding to the collection’s playful tone, Burch introduced a tonal mouse jacquard pattern on a draped dress, complementing the familiar Bambi print.
Her renowned jersey dresses, a highlight of recent seasons, evolved yet again. After dabbling in futuristic silhouettes with orbital hoop skirts and ballet-inspired bubble shapes, this season’s dresses channeled Old Hollywood glamour with structured shoulders, draped backs, and flowing skirts.
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Burch expanded her accessory line with standout pieces like the Pierce watch and bracelets featuring ring-linked chains. These designs drew inspiration from a gold and sapphire piece in Burch’s personal collection, dating back to 1870. This antique jewelry boasts a rich history, having belonged to Empress Eugénie of France, before being passed to the dentist who helped her escape to safety, and eventually landing at the University of Pennsylvania, Burch’s alma mater.
By merging historical influences, innovative textures, and playful reinterpretations of classic American styles, Tory Burch’s Fall 2025 collection showcased a new vision of sportswear that’s both functional and fashion-forward. The result was a fresh blend of comfort, practicality, and unexpected elegance, perfectly suited for today’s dynamic world.
Ulla Johnson’s Fall 2025 collection served as a heartfelt tribute to her mother, Jasmina Draskovic-Johnson, who passed away in January. Drawing inspiration from her mother’s artistic work—famous for her paintings adorned with gold leaf—Johnson infused this influence into her latest fashion line. This was reflected in black evening dresses hand-painted with gold, evoking the luminous, textured quality of Jasmina’s artwork.
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The collection stood out for its dark color palette accented with metallic touches, with gold playing a starring role to add brightness and contrast against deep blacks. Materials included gold cloque fabric, adding depth and texture to skirts and coats; tweed interwoven with golden threads, elevating structured jackets; and black tulle adorned with gold lamé polka dots, giving an ethereal, delicate feel to light, sheer dresses.
A major highlight of the collection was Johnson’s collaboration with French artist Julie Hamisky, who specializes in galvanizing flowers to create metal sculptures. This partnership translated into a series of floral-inspired accessories, such as delicate jewelry and poppy-shaped belt buckles, bringing a handcrafted, organic touch to the garments. A memorable piece featured a fuzzy shearling collar accented with one of these floral buckles, blending natural textures with artistic detailing.
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The silhouettes in the collection ranged from structured to fluid. Johnson showcased long, flowing dresses that draped effortlessly over the body, balanced by tailored pieces with metallic accents that emphasized form and design. Heavier fabrics like tweed and cloque contrasted with lighter materials such as tulle and silk, creating a dialogue between strength and delicacy—a reflection of the designer’s personal narrative.
Accessories played a vital role throughout the collection. Beyond the floral pieces, there were small handbags with metallic details and black leather boots accented with gold touches, adding a modern, refined edge to the ensembles. The show concluded with several evening gowns shimmering in subtle golden hues, a final homage to her mother’s memory and the lasting presence of art in fashion.
This collection not only marked an aesthetic evolution for Ulla Johnson but also served as an intimate expression of her personal story, showing how art and fashion can merge powerfully to tell a tale of love, loss, and inspiration.
Joseph Altuzarra Fall 2025 collection debuted in the historic Woolworth Building in Lower Manhattan, where the designer explored the balance between female strength and vulnerability. The space—completely white, from the walls to the carpet—provided a minimalist backdrop that highlighted the collection’s nuances. As a symbolic touch, each guest received a copy of Emily Brontë’s “Wuthering Heights,” whose tragic, romantic tone inspired the collection’s mood, offering a dark, melancholic prelude to Valentine’s Day.
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Altuzarra explained that this season marked a shift toward a more introspective vision, stepping away from his usual thematic inspirations like references to Morocco or Hitchcock heroines. Instead, he focused on a complex, bold woman who uses her personal history as armor. “This collection maps a woman’s loves and losses,” he noted in the show’s press release, emphasizing the fusion of courage and sensitivity that defines his muse.
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The collection revolved around the contrast between functionality and sensuality. Impeccably tailored coats and thick fabrics, paired with floor-length skirts and high leather boots, added a practical yet sophisticated air. These utilitarian pieces were interspersed with delicate dresses crafted from silk and sheer chiffon, offering a subtle but undeniable sensuality. Several looks played with proportions, combining oversized outerwear with miniskirts and transparent fabrics, creating an aesthetic that balanced strength with femininity.
One of the show’s standout moments was the navy blue cape-like coat that opened the runway. While it appeared to be a classic cape, Altuzarra introduced an innovative twist by incorporating hidden sleeves, transforming it into a garment that blended drama with practicality. This harmony between aesthetic and function also showed up in the printed chiffon evening gowns, complemented by matching shawls that draped and swirled elegantly over the shoulders. These designs evoked a sense of nostalgia, recalling 1990s red carpet moments, particularly Uma Thurman’s iconic lavender Prada look.
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When it came to the color palette, Altuzarra leaned into classic fall tones: deep blues, charcoal grays, rich burgundy, and elegant blacks, accented with subtle floral prints and delicate metallic touches that added a sophisticated sheen. Accessories played a key role in the collection, with structured handbags and high leather boots tying together both the practical and delicate looks.
A nostalgic, playful element came through in the mini handbags shaped like CK One bottles, a nod to the ‘90s that resonated with attendees, especially those who came of age in that era. Though small, this detail added an emotional connection to the past, perfectly balancing the collection’s contemporary focus.
Altuzarra managed to capture the essence of a strong, defiant femininity, creating a collection that, while inspired by loss and melancholy, feels powerful and modern. His Fall 2025 offering reaffirms his ability to blend functionality with elegance while diving into a more personal, authentic narrative. The collection stands as a testament to how fashion can reflect individuality and authenticity, embracing both the strength and vulnerability of the modern woman.
Minimalism Reimagined: Calvin Klein Fall 2025 Collection
After a six-year hiatus from the runway, Calvin Klein made a triumphant return to New York Fashion Week with a ready-to-wear collection designed by Veronica Leoni. PVH, the brand’s parent company, entrusted Leoni with restoring Calvin Klein’s fashion prestige, building on the recent success of its underwear line, which has made waves with star-powered campaigns featuring figures like Jeremy Allen White.
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The collection, which spanned both menswear and womenswear, stood out for its reinterpretation of classic American minimalism, blending structured elegance with a contemporary edge. Leoni drew inspiration from the brand’s iconic aesthetic without falling into direct nostalgia. Instead, she used the archives as a springboard for fresh ideas. “I didn’t want this to be just an archival project,” Leoni explained during a preview, though she admitted Calvin Klein’s influence had shaped her youth in Rome more than she realized.
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The show featured impeccable tailoring that played with proportions. From slim suits with tapered trousers to relaxed, pajama-inspired silhouettes, the collection reflected a balance between sharpness and ease. Leoni also experimented with knee-length skirts, evoking references like Eleanor from Severance, but with a subtler, more sophisticated approach.
Sportswear drew from American archetypes: plaid flannel shirts reminiscent of taxi drivers, dark brushed Japanese denim, and sweetheart-neckline red dresses paired with western booties. Eveningwear showcased modern sophistication with gray enamel-sequined dresses and classic draped jerseys, while minaudières shaped like the iconic CK One bottle paid homage to the ‘90s.
However, it was in outerwear that Leoni truly excelled. The brand’s signature double-faced wool coats were reinterpreted with enveloping cuts that looked far more luxurious than the “premium fashion” label might suggest. One standout piece was a cape crafted from strips of organza that draped elegantly off the shoulders, adding a touch of restrained provocation.
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Nautical-inspired looks also made an appearance, including an oversized cream anorak paired with a matching beret and a beaded gold dress that clicked and clacked with every step. For menswear, plaid shirts and square-toed boots subtly referenced Raf Simons’ era at Calvin Klein 205W39NYC, while Leoni admitted she enjoyed designing menswear for this collection, “especially because you have to find muses outside of yourself,” she noted.
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The collection combined “monumental minimalism” with a playful touch, capturing the tension between the brand’s past and future. While the execution was strong, some finishes revealed the gap between “premium fashion” and true luxury. With outerwear starting at $1,300, dresses at $950, and jeans at $450, the collection targets an audience seeking quality and design without venturing into the highest tiers of luxury.
With this collection, Veronica Leoni lays the groundwork for a new chapter in Calvin Klein’s history, blending iconic cultural references with a fresh perspective that could propel the brand into a new era of global fashion relevance.
On Thursday, Gucci announced the end of its collaboration with Sabato De Sarno, who had been serving as the brand’s creative director. The upcoming Fall fashion show, scheduled for February 25 in Milan, will be presented by Gucci’s in-house design team, while a new artistic director will be announced in due course.
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Gucci’s CEO, Stefano Cantino, expressed his gratitude to De Sarno for his passion and dedication, acknowledging the designer’s commitment to honoring the brand’s craftsmanship and heritage. Francesca Bellettini, Deputy CEO of Kering, praised De Sarno’s loyalty and professionalism, highlighting the foundational work he accomplished, which will serve as the basis for the new artistic direction moving forward.
De Sarno’s departure comes during a challenging period for Gucci, as the brand has faced declining revenues and mixed reviews of its recent collections. In the third quarter, Gucci’s organic sales dropped by 25%, surpassing analysts’ expectations of a 21% decrease. In response, the Italian fashion house is focusing on a renewal strategy, which includes the launch of new handbag lines, essential pieces based on De Sarno’s most successful designs, and optimized distribution and shorter turnaround times.
